Month: February 2020

Merthyr’s Chapels: Brynhyfryd Chapel, Treharris

The next chapel in our ongoing series is Brynhyfryd Baptist Chapel in Treharris.

In 1879, members of Berthlwyd Baptist Chapel in Quakers Yard started meeting in the house of Mr & Mrs Davies in Penn Street, Treharris, the first service being conducted by Rev Iorwerth Jones from Berthlwyd. The following month the small congregation started meeting at the Assembly Room at the Navigation Hotel.

Having met for over a year at the Navigation Hotel, the small congregation had grown considerably and it was decided that they should build their own chapel. A piece of land was acquired, and firstly a schoolroom was built. The architect was Rev Edward Roberts of Pontypridd, and the builder was Mr D E Jones of the Navigation Hotel. The building was started in August or September 1880, and the schoolroom was opened on Easter Sunday 1881, the building costing £350.

On 25 July 1881, Rev Arthur Davies was inducted as Brynhyfryd Chapel’s first minister, and the following month work began on building the main chapel. Rev Edward Roberts was again the architect and Mr John Rees of Treharris was the builder, and the chapel was built under the supervision of Mr Thomas Roderick of Aberdare. The chapel was opened on 13 May 1882 and was completed at a cost of £2,360.

In 1896 a pipe organ was installed by Messrs Davies Bros, Swansea at a cost of £320, and in 1901 Brynhyfryd Chapel purchased the empty Ebenezer Primitive Methodist Chapel in Quakers Yard and opened a branch there.

The interior of Brynhyfryd Chapel in its hey-day. Photo courtesy of https://www.treharrisdistrict.co.uk

Brynhyfryd Chapel closed in the early 2000’s and is now empty.

Memories of Old Merthyr

We continue our serialisation of the memories of Merthyr in the 1830’s by an un-named correspondent to the Merthyr Express, courtesy of Michael Donovan.

Let us now return to the post office, at the corner of Glebeland Street, and keep on that side for a while. The post office was situated in the same place, but it was also a shop, and had four or five steps to lead up to its level, but there was a small window in Glebeland Street beyond the curved one of the shop that was also used for postal purposes.

The Post Office on the corner of Glebeland Street. Photo courtesy of http://www.alangeorge.co.uk/index.htm

Upon entering the shop there was apparently a desk for five feet or so on the counter. There were some pigeon holes, and a small recess to the window mentioned above. This constituted the Merthyr postal business place. There was one postman, I believe, but his delivery was circumscribed, and once a day only. If a letter was expected, it could be inquired about at the window; inquiries were no welcomed over the counter. Mr Rhys Davis was the postmaster, Mrs Davis was one of the Willamses.

Unfortunately, the rest of that page is undecipherable due to damage.

A door or two on was at one time a watch and clock maker named David Jones Junior, his father keeping an establishment near the Lamb in Castle Street, being David Jones Senior, and he had a good reputation as an horologist. It is very probable that there are eight day clocks yet working having “David Jones, maker, Merthyr Tydfil” upon their faces.

In the window of David Jones Jun., a clock, or rather a small timepiece, was exhibited, having a ball running zig-zag on and inclined plate. The plate was moved upon two pivots, and the ball upon arriving at one end of the zig-zag struck a rod which disengaged it from the plate, and immediately after that, part or side of the plate was tilted up so as to cause the ball to run back to the other end, when, by the same arrangement, that which was of course the lowest side, to induce the ball to run that way, became the upper, and that which was the upper became the lower. My reason for mentioning this is to show that there was mental mechanical skill there exemplified.

It was within a few doors of this watch and clock-maker’s shop I can recall the office of Mr Wm Perkins, who, with Mr Wm Meyrick, were then the only two solicitors practising in Merthyr. The eldest son of the Mr Kayes, of the boot and shoe establishment in Three Salmon’s Court, was also a solicitor, but as far as can be recalled he was not in very good health, and I think he soon went over to the majority.

Mr Perkins was the solicitor of the Dowlais Company, and considered to be on the Liberal side in politics, while Mr Meyrick was considered the Tory lawyer. Mr Charles H James in his recollections gives some things about Mr Perkins. I desire to bear grateful testimony to him. True, he might have been a good sportsman or not, but as long as memory lasts he must be thought of and known as a gentleman. He lived in Professional Row, the middle house of the three. The one on the lower side was occupied by Mr Russell (the doctor of the works), and as far as can be recalled that on the upper side of the road to Thomastown was occupied by Mrs Davies (a widow), of Pantscallog.

There were several shops between Mr Perkins’ office and Castle Street, one was kept by a Mr Marsden, called the Manchester House at that time; then on the corner a William Jones, who also kept a shop in Tredegar, some time after kept a watch, clock and jewellery business. Here the late Mr W Meredith commenced his business. Mr Thomas J Pearce, who had married one of the Misses Davies of the Bush, afterwards carried on a grocery business here, but Mr Meredith, who took on Jones’ business, was there for a while prior to moving lower down. This Mr W Jones went to Port Elizabeth in South Africa, and reading the obituary notice of Mr Meredith lately, it occurred to me that Mr Meredith was introduced to his African trade by Mr Jones.

To be continued at a later date……

Merthyr’s Heritage Plaques: Dr Thomas Dyke

by Keith Lewis-Jones

Dr. Thomas Dyke
Plaque sited on the fence of the disabled car park at Swan Street, Merthyr Tydfil 

Thomas Dyke (1816-1900) was born in Merthyr and played an active part in its public life for the greater part of a century. Trained at Guys and St. Thomas’s hospitals he was parish surgeon for various Merthyr districts and for the Dowlais Iron Company.

He was appointed Merthyr’s Medical Officer of Health in 1865.

The improvements in water supply, sewerage, sanitation, inspection, and housing, most of them under his guidance, meant that by the end of the century Merthyr’s average death rate was less than the average for other industrial centres and the death rate from infantile diarrhoea for most of 1865-1900 was the lowest of any town in the United Kingdom.

Dyke was also a prominent Freemason, a founder of the Merthyr subscription library and a keen advocate of town incorporation.

Merthyr’s Lost Landmarks: The Castle Cinema

Photo courtesy of http://www.alangeorge.co.uk/index.htm

By the late 1920’s, with the burgeoning popularity of ‘moving pictures’, Merthyr already had a number of purposely built cinemas: the Electric and the Palace in town, the Cosy in Penydarren, the Victoria in Dowlais and the Picture Palace in Troedyrhiw. Everything changed in 1927, however, when ‘The Jazz Singer’ was released. This was the first ‘talking picture’, and cinema was revolutionised.

Unfortunately, none of the cinemas in Merthyr had the technical apparatus to show ‘talkies’, so it was decided that a new purpose built cinema was to be erected. Merthyr Cinemas Ltd, a company which had been set up in 1916 by Henry Seymour Berry to oversee the growing number of cinemas in the town, undertook the planning for the enterprise, and the new cinema was built on the site of the old Castle Hotel. It was designed by the architect O.P. Bevan with the building work carried out by a local contractor – Mr George Warlow using stone supplied by Vaynor Quarries. The overall cost of the building was £300,000.

The Castle Cinema was opened on 11 February 1929 by the mayor, Alderman David Parry at a grand ceremony. The following description of the building appeared in the Merthyr Express on 16 February 1929:

“The Castle Cinema is capable of seating 1,700 people, and ranks among the most commodious and luxuriously fitted film theatres in the Provinces. The main entrance is on Castle Street, so that patrons are spared the discomfort of congested traffic conditions in High Street. The foyer, approached through three pairs of double doors is of an irregular shape, spacious and is beautifully decorated. Leading from the marble foyer are staircases to the mezzanine floor and the gallery, and double doors opening to the ground floor, where there is an excellent fall towards the stage and screen. The walls are beautifully decorated by murals paintings of singular beauty and charm. Large landscape panels, designed by Mr. J. Jones, a local artist, for the decorators (Messrs. W.R. Lewis and son, Merthyr) show stately castles and medieval settings, and across the ceiling is colour washed a brilliant sky illuminated from two light ray domes. An electrically controlled passenger lift carries patrons to the balcony, and gallery floors. The hall is built of fire resisting materials, and the various inlets are supplemented by numerous emergency exits.  The Cinema is adapted also for concerts, and a dance or tea-room is provided on the Mezzanine floor, from where runs a small circle, with seats for fifty persons.

One of the famous Christie unit organs has been installed. It combines the musical features of the finest Cathedral pipe-organ, with the manifold voices of a symphony orchestra. no fewer than one hundred miles of electric wire is used in the construction of the mechanism, while 20,000 contacts , all of sterling silver and soldered joints, are contained in the console and action machines, and there are a thousand pipes. The three manual console is provided with 150 stop keys and a remarkable simulation of the human voice is produced by means of the vox human. The organist is Mr Gwilym Jones L.R.A.M., will also direct the Castle Cinema orchestra, which will be under the leadership of Mr Ronald Jones, from the London Symphony Orchestra.”

The Christie Organ in the 1940’s with long-time organist Gene Lynn. Photo courtesy of http://www.alangeorge.co.uk/index.htm

In 1932, the cinema was bought by Associated British Cinemas and renamed the ABC Castle Super Cinema. In 1954, the organ, which had been falling into disrepair for many years was removed, and in 1972 the cinema was bought by the Star Group who decided to alter the cinema – converting the stalls into a bingo hall, and converting the balcony into two small ‘studios’.

From 1977 the cinema passed into the ownership of several independent operators, and in 1998, the bingo hall closed and a new 300 seat cinema was opened in its place the following year. The cinema closed in 2003 and soon fell into such a state of disrepair, that despite several failed ventures (a skating rink and a pub), the building was demolished in 2011.

William Ewart Berry

by Laura Bray

In the series looking at the Berry Brothers, we conclude with a profile of William Ewart Berry, the second and middle son of John and Mary Anne Berry, who was born on 23 June 1870 at 11 Church Street, Merthyr.

The tale is told that William’s journalistic career began after he entered, and won, an essay competition, which so impressed the judge, W.W. Hadley – editor of the “Merthyr Times” – that he gave William a post as a reporter.  William was just 14.  William clearly had ambition – by the age of 19 he had left Merthyr and had a short term post as a reporter on the “Investor’s Guardian”, for which he was paid 35s a week.  That, however, did not last long and William spent three months unemployed, walking the streets and trying freelance work before getting a job as a reporter for the Commercial Press Association. Then, in 1901, aged 22 and using £100 borrowed from his brother Seymour he launched a paper of his own, “Advertising World”.  William wrote every word of that first addition.  By the second edition he had been joined by his brother, Gomer, and the two were to forge a newspaper partnership that lasted for the next 35 years.

William and Gomer sold “Advertising World” in 1905 for a healthy profit and went onto found “Boxing” and other periodicals during the next few years, all of which they ran successfully.  The brothers clearly had an eye for an opportunity – as can be seen in the fact that a seemingly insatiable seven-day demand for news from the western front after the outbreak of the First World War convinced them that the moment was right to acquire the “Sunday Times”, which they bought for £80,000. At the time, sales of the paper had slumped to about 20,000 a week – less than a tenth of “The Observer’s” circulation. By 1937 the “Sunday Times” was outselling its historic rival by nearly 70,000 copies a week.

The purchase in 1919 of the St Clement’s Press, and its City flagship the “Financial Times”, further raised the William’s profile. Not surprisingly, therefore, he and Gomer were assiduously courted by the circle surrounding the then prime minister, David Lloyd-George. One consequence was that in 1921 William Berry became a baronet.

William Ewart Berry, 1st Viscount Camrose. © National Portrait Gallery, London. Gratitude to them for allowing me to use the photograph.

Over the next few years William and Gomer established a vast and diverse media conglomerate; and yet it was not until 1927 that they finally acquired a major London-based daily newspaper. The “Daily Telegraph” and it was with this paper that William’s name was to become most firmly associated.  The “Daily Telegraph”  had been a great Victorian success story, setting high standards in its news reporting and attracting suburban middle-class readers.A commitment to solid Conservative values, plus a reputation for extensive coverage of both major sporting events and salacious court cases, ensured daily sales of nearly 300,000 by the early 1890s. By the late 1920s, however, sales had slipped to about 84,000, and the “Daily Telegraph” was in urgent need of modernization. Reluctant to invest, the paper’s chief proprietor, Lord Burnham, suggested a quick sale to Allied Newspapers, then owned by the Berry brothers.

Thus on 1 January 1928 William Berry at last assumed editorial responsibility for a ‘quality’ national newspaper with enormous potential. While retaining the “Telegraph”‘s unequivocal centre-right politics, William made key editorial and personnel changes, as well as updating the paper’s type and format.  Sales slowly grew, and then doubled to 200,000 after the price was halved to 1d. on 1 December 1930. Within seven years circulation had reached 637,000, and on the eve of the Second World War it had increased to 750,000 by which time William had placed news items onto the front page – a radical, if not pioneering, step.

William Berry with Winston Churchill

William was a supporter of Churchill during the late 30s and 40s and for a few weeks after the outbreak of war worked in the Ministry of Information as Chief Assistant to Lord MacMillan, then Minister and Controller of Press Relations. In 1941 Churchill made him Viscount Camrose, named for Camrose in Pembrokeshire where William’s father had been born. Such was the regard between Churchill and William that he was the only non-member of Churchill’s family to dine with him on V.E. Day in 1945.  William was also instrumental in organising a “whip round” to buy Churchill his home, Chartwell, for £43,600 (well over a million today) and donated it to the National Trust with the provision that Churchill should live in it for the rest of his life.

In turn, it was Churchill who suggested that William should have a memorial in St Paul’s Cathedral and it was he who unveiled it in May 1956.

William died in 1954 in Royal South Hampshire Hospital, just short of his 75th birthday, from a heart attack.  He left a widow, Mary Agnes, his wife of nearly 50 years, and 8 children.

William Berry’s Memorial Plaque at St Paul’s Cathedral