Robert Thompson Crawshay – Page 2

How well do you know Merthyr? The answers

Here are the answers to the questions I posed you last week. How did you do?

What was the name of St Tydfil’s father?

King Brychan Brycheiniog

Who founded the Cyfarthfa Ironworks in 1765?

Anthony Bacon

Who was Merthyr’s first Labour M.P.?

James Keir Hardie

What was the name of the first chapel to be built in Merthyr town?

Ynysgau Chapel

What was the name of the pub that Lord Nelson stayed in when he visited Merthyr in 1800?

The Star Inn in Caedraw

Nixonville in Merthyr Vale is named after whom?

John Nixon, the founder of Merthyr Vale Colliery

Who has ‘God Forgive Me’ inscribed on his grave?

Robert Thompson Crawshay

Where was the Olympia Skating Rink?

In Pontmorlais, just further up than the Theatre Royal

Which Merthyr-born boxer won the WBC World featherweight title in 1968?

Howard Winstone

Where would you find St Matthias Church?

Treharris

The Bwthyn Bach Inn is missing from the Old Merthyr Tydfil list of pubs, where was it situated?

At the corner of what was known as the Broad Pavement, opposite was the name given to a street built behind the Palace Cinema.

Where was Tai Harri Blawd?

Behind the Theatre Royal and bordering the old Tramroad

What is the area known as Daniel’s Waterloo?

The area now known as the Grove

Where was the Merthyr Tydfil clay pipe factory?

In Vaughan Street, Caedraw

What did the factory next to Factory Cottages make?

Factory Cottages were alongside the old Drill Hall and given this name as they adjoined a flannel factory.

How did Storey Arms get its name?

The first landlord there was a Mr Storey

Where was Pendwranfach?

A narrow street by the Fountain …… turn left at the bottom of the High Street

What is the real name of the pub often called The Spite?

The Farmer’s Arms, Mountain Hare

Who was Miss Florence Smithson and what building is she associated with?

A famous actress associated with the Theatre Royal

Why was an area by St Tydfil’s Church named Lle Sais?

Its name is derived from the fact that most of the English people brought in to the area to work in the Penydarren Ironworks lived here

The Cyfarthfa Band

by Laura Bray

I am sure many of you like me, have wandered around Cyfarthfa Museum, and glanced at the instruments on display – particularly the most intriguing “serpent” – and then moved on without a second thought. The Egyptian mummies were always so much more interesting. As a consequence, although I knew there had been a band, I knew nothing of it. Time to rectify that, my friends!

The Cyfarthfa Band was founded and sponsored by Robert Thompson Crawshay sometime in the 1840s, essentially as his private band. The band played when he had guests in Cyfarthfa, it accompanied him to trips to Aberystwyth and Tenby, where they played outside his hotel, probably to the bewilderment of the locals, and band members were expected to present in uniform at all times.

The Cyfarthfa Band on the steps of Cyfarthfa Castle in the 1800s. Photo courtesy of http://www.alangeorge.co.uk/index.htm

For much of its life, the band was conducted by the Livseys – father and son. The father, Ralph, was from Northumberland, and was a brilliant keyed bugle player, a skill probably acquired in a military band, as the keyed bugle was developed in this context. He became a soloist with Wombwell’s Travelling Circus and Menagerie, and would have been known to the Crawshays, as Merthyr was a regular venue on Wombwell’s circuit. Around 1846, Robert Crawshay made him an offer – come and lead my brass band – and Ralph accepted. His son, George, aged then 13 was also recruited as another keyed bugle player. Ralph took the band to new heights – while it remained a private band, Livsey persuaded Crawshay to equip it with expensive Viennese instruments (imported expressly through Crawshay’s London supplier), rather than the much cheaper British versions, and developed a repertoire of playing more orchestral music than was the traditional remit of the brass band.

As a private enterprise, the Cyfarthfa Band was not a competition band, and rarely entered such. However, one of the few competitions the band entered was the Crystal Palace national competition of 1860, in which it played Verdi’s “Nabucco”. The band came first on the second day’s contest, and Crawshay’s reputation as a man of culture and taste was cemented – through that, the band’s reputation grew. Its importance can be illustrated by the anecdote told of a time when Crawshay was laying off his workers as result of a downturn in demand. He had identified men working in the Boiler Shop who were to be dismissed. The foreman, Mr Jenkins looked at the list and told Crawshay, in no uncertain terms, that his selection would “take the guts from the band”. Nothing further was ever said.

Ralph Livsey’s grave in St Tydfil’s Churchyard

Ralph Livsey died in 1863 and was succeeded by his son, George, who remained band master for most of the next 50 years. The band’s reputation was maintained, if not enhanced, under George’s leadership – it played in the Cardiff Flower Show for 18 years, and was chosen to play when the Prince of Wales (later Edward VII) opened the Prince of Wales dock in Swansea in 1881.

It was George who introduced the band to some of more unusual instruments – including the Serpent (which brings us back to that showcase in the Museum today), an ophicleide – an instrument with a cello tone; and a valve trombone – so common now that we think nothing of it – but a novelty in the 1860s.

George conducted the band, trained its players, selected and arranged its repertoire and followed his father’s example of attracting some of the greatest brass instrumentalists of the day, such as the ophicleide player Sam Hughes, the greatest ever British virtuoso of the instrument. Indeed, the repertoire Livsey created survives, and because it is handwritten and bespoke it testifies to how, and not just to what, the band played. It was eclectic and included transcriptions of complete symphonies by Europe’s greatest composers and it was George’s boast that this was the only brass band to play all four movements of a Beethoven Symphony, a feat carried out in Cardiff to great acclaim. Such is testimony both to the remarkable virtuosity and skill of the band’s players and to the guidance and vision of a sophisticated musical director.

The last decade of the 19th century saw the band slowly decline. The Cyfarthfa works were losing orders as steel replaced iron, and by 1890 the works were being run by a skeleton staff. In addition there was more musical competition – Merthyr by this time could boast three military bands, seven brass bands and several orchestras – and the band quietly faded away, their instruments being put into storage.

But, my friends, this is not the end of the story, although it is the end of the glory days. Merthyr Council, who had acquired the Castle and grounds in 1908, decided that a band would be just the ticket, and so approached George Livsey to reform it as a municipal band. This duly happened in 1909 and the band was regularly heard playing in the Cyfarthfa and Thomastown bandstands over the next few years.

The Cyfarthfa Band at the Cyfarthfa Bandstand. Photo courtesy of http://www.alangeorge.co.uk/index.htm

But George was now a man in his 70s, and so the band’s leadership fell first to a Mr Harvey and then to a Mr Laverock, who was its conductor during the dark days of 1914 -18. And so the band played on, until the Depression of 1926 finally sounded its death toll, as it did for most Merthyr bands, the exception being that of the Salvation Army Band which stands as witness to its heritage.

So next time you are in the Museum, stop at the case which houses the instruments and look up at the painting of George Livsey which hangs nearby – and remember the contribution made by the gentlemen of the Cyfarthfa Band, and wonder at the heights that were achieved by this band of ironworkers.

The portrait of George Livsey that hangs in Cyfarthfa Museum. Courtesy of Cyfarthfa Castle Museum & Art Gallery

Desecration of Graves

From the Weekly Mail 140 years ago today (25 September 1880)…

Memories of Old Merthyr

We continue our serialisation of the memories of Merthyr in the 1830’s by an un-named correspondent to the Merthyr Express, courtesy of Michael Donovan.

We must, however, return to the Canton Tea Shop opposite Castle Street, and keep up that side of the road. There were but few shops on that side, the majority being cottages. There was no opening through to the tram road, but courts of some kind existed. The large chapel (Pontmorlais Chapel) was building or about being finished, and next above was a coal yard of the Dowlais Company, chiefly for the supply of coal to their own workmen. Mr John Roberts had charge there, I should say, perhaps, that the coal was brought down by the old tramroad, and there was a short branch into the yard from it.

Some ten or a dozen cottages intervened between the cottage of the coal yard and the one that projected towards the road. This had a few poplar trees around it, and was years after, I cannot say how long previously, occupied by Mr Morgan, a stone and monumental mason, now in business on Brecon Road.

Morgan’s Stonemason’s in Pontmorlais. Photo courtesy of http://www.alangeorge.co.uk/index.htm

On the upper side of this was an opening to the tramroad, which was not above 80 or 100 feet from the High Street, and then a painter and glazier’s shop kept by Mr Lewis, who afterwards removed a short distance into the Brecon Road, and the shop became that of a saddler (Powell by name). Adjoining this was the Morlais Castle Inn, of which Mr & Mrs Gay were the host and hostess. Mr E. R. Gay, the dentist, of High Street, is the youngest, and it is thought, the only survivor of the family, which consisted of three boys and two girls.

A narrow shop intervened and the turnpike gate was reached. Only a few yards beyond a cast iron bridge spanned the Morlais Brook. On the left a person named Miles lived. His son, Dr Miles, increased its size and subsequently practised there.

One road now leads off to Dowlais, and the other towards Brecon Road, or as it was generally called, the Grawen, but immediately in front is a wall 10 or 12 feet high there, but as the road on either side ascends is tapered down on both sides. The old Tramroad from the Dowlais and Penydarren Works to their wharves on the Canal side near Pontstorehouse ran over this embankment, and a cottage nestling in the trees there was occupied by Mr Rees Jones. No other residence of this kind existed on the Penydarren Park except the house itself and its three lodges. At one time there were some steps leading up to the Park near the turning and junction of roads, one going to the Grawen and the other going to Pontstorehouse, but that gap was built up, and the only public entrance then became that close to the Lodge in Brecon Road by the pond.

The old steps leading to Penydarren Park (now the site of the Y.M.C.A. Photo courtesy of http://www.alangeorge.co.uk/index.htm

To be continued at a later date……

Merthyr’s Bridges: The Brandy Bridge – part 1

The ‘Brandy Bridge’ as it is commonly known, is actually, historically three separate bridges.

The ‘First Brandy Bridge’, commissioned by Anthony Hill, was built immediately below Brandy Bridge Junction in 1861, to carry the Plymouth Ironworks Tramway over the River Taff, Taff Vale Railway and Plymouth Railway. It was a square span in three sections; the main section was over the river and was about 80ft long, made up of two wrought iron plate-girders mounted on a masonry pier on the east side and a masonry abutment on the west.

After the closure of the Plymouth Ironworks in 1880, the bridge began to fall into disrepair, but was still used by pedestrians going to and from Abercanaid whilst a new bridge was being built 100 yards upstream.

Plans for the ‘Second Brandy Bridge’ had been discussed as early as 1857. In August of that year, a committee, consisting of among others Robert Thompson Crawshay, Anthony Hill & G T Clark was set up by the Local Board of Health to consider building a bridge across the Taff to Abercanaid, as up until then, the only pedestrian access to the village was via a ford called the Plymouth Crossing.

A section of the 1851 Ordnance Survey Map showing the Plymouth Crossing

By 1870 however, a bridge still hadn’t been built, much to the understandable exasperation of the population of Abercanaid. On 22 January 1870, the villagers held a public meeting where a proposition was made that “the first and surest way to obtain a bridge and a road to Abercanaid is by memorialising the Local Board of Health, and that this meeting has great confidence in the present Board that they will take prompt and active measures to obtain for us – a bridge”.

By 6 August the committee had investigated several sites but were all vetoed due to expense, until a site, at the old Plymouth Crossing was agreed upon. The total price for the new bridge was estimated to be between £400 and £500, and the committee approached the Taff Valley Railway Company for a contribution. The committee had not, however, prepared for the ensuing pettiness and inflexibility of the various landowners affected by the building of a new bridge and road.

It would be 10 years before the petty wrangling had been ironed out, and on 7 August 1880, the Local Board of Health, following an interview with the Taff Vale Railway Company, who were planning to expand their network, estimated that a new bridge would cost £1,600, with the railway company offering £600 towards the project. Further disagreements followed with the committee for the building of the bridge insisting that the Taff Valley Railway Company should pay a higher percentage of the cost.

The negotiations continued for two years until an agreement was finally reached, and it wasn’t until 1883 that work finally began on the bridge.

Samuel Harpur, Engineer and Surveyor of the Local Board of Health, was put in charge of the construction of the new bridge, and a contract was given to J Jones to deal with the excavation and stonework. The construction of the bridge itself was entrusted to The Cleveland Bridge and Engineering Company of Darlington who designed, built and erected the bridge which was 12 foot wide and made of steel lattice-work girders and steel cross-members. The bridge was opened late in 1883.

The ‘Second Brandy Bridge’. Photo courtesy of the Alan George Archive

To be continued…..

A History of St Gwynno’s Church, Vaynor – part 2

by Ena Moreton

Many thanks to Hywel George, administrator of the Cynon Culture website for allowing me to use this article.

The land for a new building was given by Mrs Mary Williams of Penrhadwy. Vaynor, and work was about to start when Robert Thomson Crawshay, ironmaster at Cyfarthfa, four miles away, offered to build the church at his expense if the money already raised by the congregation, about £700, was put towards what is now St John’s in Cefn Coed. For many years this church was known as St Gwendoline’s, a mistaken dedication caused by confusion among scholars over Welsh and English usage.

A postcard of St Gwynno’s Church from the early 20th Century. Photo courtesy of the Alan George Archive

Father Silas Morgan Harris (1888-1982) corrected the name whose scholarship embraced the Welsh saints and the history of mediaeval Welsh church. St Gwynno appears to have been Abbot Gwynno, born either in 487 or 507, whose feast day falls on October 22 and one of that company of Celtic saints who travelled spreading Christianity throughout these lands. In Scotland he is known as Guinochus and also credited with founding Plouhinec in Britanny and Kilglin in Co. Meath in Ireland. A contemporary view of St Gwynno can be seen in the fine bas relief near the entrance; He is shown with his shepherd’s crook and the invocation ‘St Guinoce, OPN’ – his Latin name and initials of Latin invocation Ora Pro Nobis (Pray for Us). The sculpture is signed AJJA, work of Arthur Ayres, winner of the Prix de Rome 1931 whose works can be seen in major international permanent exhibitions.

This work is in memory of Canon William Henry Harris (1884-1956), elder brother of Father Silas. Both were born in Pontsticill and firmly on the Anglo-Catholic wing of the Church. Canon Harris, known as Father Bill, was professor of Welsh at Lampeter, precentor of the chapel and canon treasurer of St David’s Cathedral. Continuing the family connection, the stained-glass window opposite, depicting the Blessed Virgin and Child, was given by the Harris brothers in memory of their mother, Ann, and is inscribed in Welsh with a line from the Hail Mary “Blessed art Thou amongst women”. The figure of the guardian angel further down the church could not be more distinctively Victorian. The angel is in memory of the four daughters and two sons of the Williams family at Penrhadwy, whose mother gave land for the church. All died in quick succession in their twenties and early thirties in the 11 years between 1859 and 1870.

The angel is by Joseph Edwards, Merthyr-born sculptor whose works are also to be found in Westminster Abbey. He was born in 1814, son of a stone-cutter, and is said to have been in love with one of the Penrhadwy daughters. The angel is reputed to have been modelled on her; one of the final three works in a career that saw 70 of his sculptures exhibited at Royal Academy.

The altar and reredos, with its carved woodwork and panelling, date from 1912 given in memory of Herbert Kirkhouse (died 1904, aged 72) a mining engineer at Cyfarthfa Works who married Maria Teresa, one of the Penrhadwy daughters. Maria Teresa is commemorated in the oak font, given by her son in 1930.The present St Gwynno’s was completed in 1868 a year before consecration by Dr Ollivant Bishop of Llandaff, standing in for Dr. Thirlwell, Bishop of St David’s.

The churchyard is noted for the grave of Robert Thomson Crawshay, the church’s benefactor, with its 11-ton granite slab inscribed ‘God Forgive Me.’ There are also graves of people at the lead edge when Merthyr was at the height of its industrial power, though many have been lost to the march of time.

The vegetation on the steep slope running down to the banks of Taf Fechan is now sanctuary to wild life, plant and animal; a protected nature reserve. Speed was not a speciality of Gruffydd Shon, the old bachelor, whose lady love tired of waiting for him and married a farmer. Gruffydd who died of a broken heart composed his own epitaph that existed as late as 1870 but vanished when his gravestone was broken during demolition of the old church. It read:

Here lies the body of Gruffydd Shon
Covered here with earth and stone
You may sweep it up or leave it alone
It will be just the same to Gruffydd Shon.

In the 140 or so years since St Gwynno’s re-build it has shown signs of strain. In 1969 the church tower on the verge of collapse was taken down and remodelled with a new steeple costing £2000. In the 1980s the church was re-roofed with pantiles as near the original as possible; in the late 1990s the internal floor was replaced and whilst work was going on services were held in Pontsticill village hall; the churches own parish hail having been sold in a few years earlier. For most of its 1200 years St Gwynno’s was mother church for the scattered farms and cottages of Vaynor. When Dolygaer reservoir was completed in 1862 and work began on Taf Fechan reservoir in 1910, Pontsticill, the village that originated as home to those involved in the water industry, grew up a mile from the church where many of its congregation now live. The only other building in the immediate vicinity is the Church Tavern, built in 1823, which started life as a Court where law was administered and later became a celebrated local hostelry until its conversion into a house in 2000.

Below are two recent photos of St Gwynno’s Church – Old and New.

To read the original article, please visit: http://cynonculture.co.uk/wordpress/merthyr-tydfil/history-of-st-gwynnos-church-vaynor/

The Decline of Merthyr

In 1859, the Penydarren Ironworks closed. 160 years ago today (26 February 1859), the remarkable article transcribed below, written in anticipation of the closure appeared in the Merthyr Telegraph. It makes fascinating reading as the language used is so striking and almost poetic…a far cry from today’s brand of journalism.

Over the thresholds of a thousand houses stream the long and darkening shadows which forerun events of a stern and saddening character. In a few months that fierce light which so long has glared around Penydarren will be invisible, and the incessant clang of iron and harsh vibrations of monster machinery will no longer be heard. Penydarren works will belong to the past.

For several weeks the inhabitants of this town and neighbourhood heard of the rumoured sale of Penydarren works with incredulity. They could not believe that so great an establishment would be broken up, the works fall into decay, and the men scattered to the four winds of heaven. Yet, at last, the dread truth has forced itself upon our convictions, and we now doubt not that the end of Penydarren is at hand.

The Dowlais Iron Co., holding large works on the extreme edge of the mineral basin, have been for some time progressing with less than its usual vigour in consequence of a deficient supply of mine and coal. It is true new pits have been sunk at Cwmbargoed, but it will be two or three years before they will begin to yield, the enormous depth forbidding any earlier success, though the men are incessantly employed. Thus it became a serious consideration with the Trustees, where, and by what means, the requisite supply should be obtained from to meet the demand. The adjoining mine and coal field of the Penydarren Co. and the known desire of Mr. W. Forman to part with it, offered a solution of the difficulty, and hence, after a consultation and discussion by the principals of each place, one has been merged into the other, and Dowlais has become worthier even than before of being styled the largest iron-works in the world.

We may anticipate that on the opening of the new mill – a mill unequalled in the locality, a large number of additional workmen will be employed; the miners and colliers also may be expected to continue working as usual; but, we apprehend, there will still be many unemployed, and the change will tend to deteriorate the value of house property considerably in Penydarren, and the upper part of Merthyr, from Pontmorlais to Tydfil’s Well. There can be no doubt but that there will be much suffering in one way or another. Young men, full of vigour, may try their fortunes elsewhere broad shoulders and muscular arms will never fail to obtain their owners bread and cheese, but the old men, the semi-pensioners, the half used up veterans, cannot be expected to seek a subsistence in other districts, cannot be expected but to crawl, feeble worn-out beings, into the last resort of humble life – the Workhouse.

In addition to this, the first step towards a decline, we see evidences around us of a gloomy character. The lease of the Dowlais works is said to last only during the minority of the Marquis of Bute. When he comes of age a new lease, under new and perhaps impossible conditions, may be required.

It is also rumoured, on what authority we know not, that the Plymouth iron-works are for sale, and no one, acquainted with Mr. Hill, will hear this without fearing that the change of ownership, by whomsoever made, cannot be for the benefit of the workmen. No matter how good the next employer may be, new brooms have a tendency to sweep clean, and brush away old and good usages, pensions, perquisites and benefits to an alarming extent.

Again, at the Cyfarthfa works things wear an alarming aspect. The lease is yet unsettled. Mr. Crawshay has stated the sum he will give, and we all know that he will abide by his word, and blow out the whole of the furnaces rather than yield. And let us add that were Mr. Crawshay, unfortunately for us all, to be succeeded by another, we might find the system of iron-making on the hills introduced into Cyfarthfa, with its attendant Truck shops, which, God forbid for the sake of poor humanity! To this Truck the Crawshays have ever been firm opponents, much to their honour and the welfare of the town.

All these shadows warn us to be prepared for coming evils – to be on the alert towards lessening the trials of disastrous times – to prepare our several homes against the menacing storm.

Merthyr is a town called into existence by the discovery of the minerals underneath. With their exhaustion it fades as rapidly as it rose.

In these facts we trace the presages of decline. The tree which resists the skill of the gardener may exist for a time, unimproving, unprogressive, but when the storm comes the resistance is but weak, and beneath the tempest it falls!

Professor Julie Williams C.B.E.

by Irene Janes

Here is a name to remember – Professor Julie Williams C.B.E, world leading Figure in the research of Alzheimer’s Disease.

Julie Williams is still very much alive, kicking and still researching, and her research is making a huge difference worldwide but I am just so afraid like other famous women if her works are not recognised in Merthyr they will never be heard of let alone forgotten.

Well I am not sure about you, but when I was about seven I read The Famous Five and my weekly magazine, Princess. Perhaps this is why I have not and ever will receive a Royal honour.

At the age of seven, little Julie (then Baker), would be professor, from Cefn Coed, loved horse riding, ballet and playing football. However, between scoring goals and pirouetting around on horses Julie may have missed the fact Richard Burton had married (for the first time) Elizabeth Taylor or the Welsh Office was established. It was more likely her pin up poster would not be of Howard Winstone but that of the great British Physicist and Chemist Michael Faraday. This was because one day in W.H.Smiths Julie picked up a leaflet about Faraday which she admits she did not understand but piqued her interest. In addition to this, a B.B.C. programme, “The Ascent of Man” (1973), set her on a journey and where others now follow her.

Her schooling at Vaynor and Penderyn Grammar School served her well, and when The University of Wales Institute of Science and Technology, in Cardiff beckoned, Julie welcomed the opportunity to make the most of the many horizons now open to her. The one horizon we celebrate here is her studying psychology to PHd level. Her fascination of how a human brain works is as strong now as it was as an undergraduate. The idea of ‘How molecule changes can produce some sort of thought processes’ became and still is her focus. After her research work with schizophrenia, Julie turned her attention to Alzheimer’s, which is more prevalent today than ever. We all know someone inflicted by it.

In Wales 2,500 people under the age of 60 have this disease and that figure is expected to rise.

Julie’s academic and research successes could fill pages and I salute them all, alas, there are too many to mention here. The details are on the internet for you to read at your leisure. Here are just some of the professors’ academic achievements:

March 1991 – April 1992 – research Assistant.
August 1999 – October 2001 – Reader in Neuropsychological Genetics at the Department of Psychological Medicine, University of Wales College of Medicine
2010 – 2011 – Member of the Welsh Government Advisory group on Dementia.
October 2012 – September 2013 – Dean of research at Cardiff University School of Medicine.
September 2013 – September 2017 – as Professor of Neuropsychological Genetics. Chief Scientific Advisor for Wales Julie and her team were successful in winning the largest Marie-Sklodowska Curie Fellowship grant plus funding from the European Structural Funds, thus bringing to Wales over £60m for research so amounting to over £23m.

Now Julie and her team, with funding from the U.K. Dementia Research Institution, are concentrating on thirty genes that pose the risk of developing Alzheimer’s. Such is the importance of eradicating or controlling this disease £250m made available by the U.K. Medical Council.

Today she acclaimed as a world leader in her field of research.

It is hardly surprising that in 2012 Professor Julie Williams, in recognition of her dedication and research was awarded the C.B.E.

Away from Royal recognition now, and back to Merthyr and Julie’s roots. Out of general interest, her father Eric Baker had a Ford dealership. For twenty years her mother Terry ran the W.R.V.S. shop and coffee shop, in Prince Charles Hospital.

Here is a link no matter how tenuous but one that makes my imagination bridge the years. Her grandfather Henry Edwards worked and lived as caretaker in Cyfarthfa Castle. I like to think Rose Mary Crawshay, (wife of Robert Thompson Crawshay) who fought for the education and advancement of women (see my previous article – http://www.merthyr-history.com/?p=1934) and founded Vaynor School, where Julie became a pupil, is smiling down with pride on Professor Williams.

Rose Mary Crawshay – part 1

by Irene Janes

Most of my life (67 years of it) the surname Crawshay has sent shivers down my spine and an innate hatred of the dynasty of Iron Masters of Cyfarthfa.

A few years ago, I came across a woman with intelligence, foresight, determination and inspiration, Rose Mary Yates, also known to us as, Mrs Robert Crawshay. True she is not a native of Merthyr Tydfil or Wales but her efforts transcend boundaries and time.

As is the case of many wealthy, bored and unemployed women, charity work is often the ‘hobby’ of choice. With Rose Mary, this may have been true in the beginning. However having completed my little bit of research I see a different woman.

It could have been one evening, sitting in her home, with its turrets and three hundred and sixty five windows, she sat in front of yellow leaping flames throwing its heat from the coal dug out from one of her husband’s mines. Her silk dress with layers of frilly petticoats may have rustled as she turned the pages to find one of her favourite poems by Lord Byron. With daylight fading perhaps, her attention wondered beyond the parklands walls to other yellow leaping fires of her husband’s family iron works in Cyfarthfa. Her life to those women and men labourers could not have been more different. Her home fire kept her warm, the works fires killed and maimed. Rooms she had many but in the town families were squashed into windowless, two roomed cellars with damp running down the walls. Children of all and any ages sent out to work, steal or beg, it didn’t matter which as long it was to help with their families’ survival.

If she was, a charity hobbyist this soon changed to philanthropist.

She organised soup kitchens and instructed them to be open three days a week. With the bodies of the needy and poor being fed, Rose Mary turned her attention to their overall well-being. She set up classes to encourage women to make clothes and make the patterns from old newspapers.

Books were given to her husband’s workers. Nevertheless, this was not enough for this particular Mrs Crawshay who knew the importance of education. In total, she opened seven libraries.

The citadel for working class males were the Workmen’s Institutes. Apart from socialising and drinking of beer it was here, the men could access text books and newspapers for knowledge or pleasure. Quite rightly, Rose Mary saw the inequality of it all. To counterbalance this she ensured her libraries opened on a Sunday too so women had the same opportunities.

Still recalled today, Abercanaid, February 1862 forty-nine men and boys were killed either from suffocation or burns in the Gethin Pit explosion. The pit had been sunk by William Crawshay II to provide coal for the Cyfarthfa works. Rose Mary visited every family who had lost some one in the disaster. Indeed, here is a woman who knew her own mind and no Iron master was going to stop her.

Crawshay’s Tomb

The article transcribed below appeared in the Merthyr Telegraph 138 years ago today.

THE TOMBSTONE OF THE LATE MR. CRAWSHAY

A stone, weighing nine tons, and being 11ft 2in long, 7ft 2in wide, and 1ft 2in thick, has been placed upon the grave of the late Mr R. T. Crawshay, in Vaynor Churchyard. The stone, which is a conglomerate, was selected by Mr R. T. Crawshay from the Rhadyr Quarry, near Llandaff. Around the sides are formed a kind of rockery, but the surface of the stone is quite plain, although beautifully polished. The laying of the stone has been carried out by Messrs Malliphant and Morgan. An inscription will be placed upon the stone.