Below is an example of some the varied entertainment that was available in Merthyr in years gone by. All of these adverts appeared in the Merthyr Express 70 years ago today.
How time have changed.

The Melting Pot – Merthyr Tydfil's History and Culture
In Association with the Merthyr Tydfil & District Historical Society
Below is an example of some the varied entertainment that was available in Merthyr in years gone by. All of these adverts appeared in the Merthyr Express 70 years ago today.
How time have changed.
Merthyr was always famous for its musical tradition, not only for the many talented musicians produced by the town, but for the internationally famous musicians that performed here.
Without doubt, the most celebrated musician to ever perform in Merthyr was the legendary Norwegian soprano Kirsten Flagstad, who gave a concert at the Theatre Royal 70 years ago today – 25 November 1951.
By 1951, Flagstad had already achieved ‘legend’ status in the operatic world, and was acclaimed as the greatest Wagnerian soprano of her day. Nowadays however, she is regarded by many as the greatest soprano of the 20th Century. What an accolade for an industrial town in the Valleys to secure her services for the only appearance she had made in Britain outside London at the time.
Below is a review of the concert by the music critic of the Merthyr Express.
THEATRE ROYAL
The Theatre Royal was opened in May 1894 as the Theatre Royal and Opera House. It was designed by local Merthyr Tydfil architect T.C. Wakeling in a Neo-Classical style, and was equipped with a stage that was 28 feet wide and 22 feet deep, with six dressing rooms. It cost £8,000 and had a seating capacity of 1,800.
It was one of the premier theatres in Wales, and attracted many of the biggest stars who performed there. With the growing popularity of films in the 1920s, the theatre began to operate as a cinema, as well as presenting live performances.
The Theatre Royal closed in the late 1960s and was converted into a bingo club. The theatre closed as a bingo hall in 2006 and has been unused ever since. Plans for the site have been considered but never submitted. The building is now in a very poor state and on the “at risk” register.
The future of the building looks very bleak – as are several other building in Merthyr. I will probably be demolished, as so much of the town’s heritage has been in the name of ‘progress’.
Here are the answers to the questions I posed you last week. How did you do?
King Brychan Brycheiniog
Anthony Bacon
James Keir Hardie
Ynysgau Chapel
The Star Inn in Caedraw
John Nixon, the founder of Merthyr Vale Colliery
Robert Thompson Crawshay
In Pontmorlais, just further up than the Theatre Royal
Howard Winstone
Treharris
At the corner of what was known as the Broad Pavement, opposite was the name given to a street built behind the Palace Cinema.
Behind the Theatre Royal and bordering the old Tramroad
The area now known as the Grove
In Vaughan Street, Caedraw
Factory Cottages were alongside the old Drill Hall and given this name as they adjoined a flannel factory.
The first landlord there was a Mr Storey
A narrow street by the Fountain …… turn left at the bottom of the High Street
The Farmer’s Arms, Mountain Hare
A famous actress associated with the Theatre Royal
Its name is derived from the fact that most of the English people brought in to the area to work in the Penydarren Ironworks lived here
110 years ago today…..
100 years ago today….
by Clive Thomas
From here in pre-industrial times the brook continued in its efforts to cut deeply into the country rock, passing Cae Racca, the fields of the Hafod Farm and down into Cwm Rhyd y bedd. Unfortunately with the construction of the new Ivor Works in 1839, this area became the tipping ground of the thousands of tons of waste produced by the furnaces, forges and rolling mills. Over the next century the whole form of the land became radically altered with tip and railway embankment obscuring its course. It eventually emerged into ‘The Cwm’, as a poor remnant of its former self, passing in the mid-nineteenth century the Dowlais Old Brewery and Gellifaelog House on its way down to Gellifaelog Bridge. This had been built in the second half of the eighteenth century to carry the Abernant to Rhyd-y-blew turnpike Road and would eventually become the location which every local would know as ‘The Bont’.
A little below here, it had its junction with Nant Dowlais on the banks of which the first Dowlais furnace had been constructed in 1759. Two centuries later, in the 1960’s with the building of the Heads of the Valleys Road and the general landscaping of the 1980’s the stream’s way through the ‘Cwm’ was again changed quite comprehensively, although shrub and tree planting rendered the valley more aesthetically pleasing. Unfortunately, it is only the archive map or faint ancient photographs which now help inform us of its rich and varied history.
Before being confined to its anonymous, culverted bed, the brook’s surface course from The Bont was once again encroached upon by massive tipping from the Dowlais Ironworks. On the opposite bank, once the fields of Gellifaelog and Gwaunfarren Farms, what was to become Penydarren High Street would be established. This ribbon development of dwellings, shops and places of worship was constructed above the steep valley side here and would eventually form a fundamental link between the growing settlements of Merthyr Tydfil and Dowlais. As early as 1811 though, I.G. Wood’ s print of the Penydarren Ironworks shows our mountain cataract to be already much altered, confined and despoiled by the growth of that iron manufactory. Today, the location is completely transformed from the area of desolation we knew in the 1960’s and ‘70’s. It is landscaped, green and partly wooded but it is a great pity the planners could not have given it a more inspirational name than Newlands Park.
Below the site of the works its course altered a little again and helped define that spur of high ground the Romans had chosen, probably in the early second century AD as the site for one of their forts. I am sure these ancient invaders would have had no inkling of the iniquities that men of later centuries would perpetrate on the stream and landscape hereabouts. Today, Nant Morlais reveals itself only briefly to the rear of the Theatre Royal and Trevithick memorial before disappearing at Pontmorlais, the location of another of those early turnpike bridges.
Hidden behind the buildings of the town’s Upper High Street there is one final reminder of the stream’s rural and unsullied past. Mill Lane, more recently the rather secret location of Mr. Fred Bray’s sweet factory, is the site of a water mill where our agricultural forefathers ground the corn grown in the fields of the local farms.
Whilst the old buildings and general dereliction which not so long ago framed the stream’s last few hundred metres have long disappeared and been replaced by car parking and civic buildings, a large portion of Abermorlais Tip remains to mark the point where the waters of Nant Morlais coalesce with those of the parent Taf. Although partly confined to a subterranean existence, through the more recent efforts of Man, ‘The Stinky’ has been able to rid itself of the foul and fetid mantle of its past.
From the Merthyr Express 110 years ago today (6 November 1909):-
Most of us have passed, or even visited the Temperance Hall (or the Scala to those of you who were born after the 1960’s), but how many of you realise that it was in fact Merthyr’s first purposely built public meeting place?
The Temperance Hall was built by the Merthyr Temperance Society as somewhere to provide “instruction and amusement for the masses of the people”. The Temperance Movement began in the 1830’s. At first temperance usually involved a promise not to drink spirits and members continued to consume wine and beer. However, by the 1840s temperance societies began advocating teetotalism. This was a much stronger position as it not only included a pledge to abstain from all alcohol for life but also a promise not to provide it to others.
The Temperance Hall was opened in September 1852 by Henry Bruce, the M.P. for Merthyr. The original building measured approximately 80 foot by 40 foot, with a 12 foot wide platform, with a capacity of between 100 – 150 people.
In 1873, the Hall underwent major enlargement, was said to hold up to 4,000 people. For the next 20 years the Hall was the main theatre in Merthyr, mostly seeing off competition that came and went, from the Drill Hall, the short-lived Park Theatre and the many visiting portable theatres. Performances at the Temperance Hall ranged from musicals like “Les Cloches de Corneville” and the marionette spectacular “Bluebeard”, to performances of plays by Shakespeare and other leading dramatists.
As well these, the Hall was also used to host lectures and also religious and political meetings. One of the most famous of these was the meeting held in 1872 by Rose Mary Crawshay, one of the leaders of the Women’s Suffrage Movement in the late 1800’s, which led to a petition for Women’s Suffrage being sent to Westminster.
In 1885 the management was controlled by a group of four brothers: Charles, Joseph, George and Harry Poole who continued with the mixed policy, and encouraged local amateur groups to use the premises as their regular base. By the turn of the century, however, the Temperance Hall was gradually becoming a music-hall and variety theatre, with the touring productions of musicals and straight plays tending to go to the Theatre Royal.
By 1914, the Temperance Hall was listed in the Kinematograph Year Book, so it was clearly an early cinema conversion. The manager of the theatre by now was Mr Israel Price, who would become a legendary theatre manager of the South Wales area. From the outbreak of the War until the start of the “talkies” Israel Price provided variety performances and reviews as well as silent films. In 1927 he was able to advertise that the Temperance Hall was “now the only live theatre in the town”.
The Temperance Hall was renovated and re-seated in 1930 and re-opened in August of that year, promoting itself as “Now one of the most comfortable theatres in the provinces”.
In 1939, Israel Price’s son (also called Israel) took over the running of the Temperance Hall, and he also eventually took over the management of the Theatre Royal. The Hall seems to have been used almost exclusively as a cinema during the Second World War, but in the post-war years it resumed live theatre, and in 1948 ran a forty-week repertory season under the direction of Barney Lando.
By the 1953 edition of the Kinematograph Year Book the proprietors were listed as Messrs Price and Williams, and there were 624 seats, and by 1980 the Theatre had ceased presenting live shows and was used exclusively as a cinema having been renamed the Scala Cinema. It was owned by Dene Cinema Enterprises Ltd. and had 480 seats.
The cinema closed in the early 1980’s and in 1985 the building was converted into a bar and snooker club.
by Barrie Jones
The ground floor of my Grandparent’s house comprised of the traditional front parlour, a back room with window looking onto the garden and a back extension of kitchen/scullery. All three rooms were heated by coal fires, the one in the kitchen having the traditional Victorian cooking range. All three rooms were connected by a wide hallway, from which the staircase leads up to the three bedrooms. The bathroom was in the extension over the kitchen/scullery comprising of a bath and wash hand basin, although, quite spacious there was no toilet. The WC was outside at the far end of the garden, a novelty for me as I lived in a Council house on the Keir Hardie Estate which had two toilets! As a small child staying overnight at my grandparent’s house, use of the chamber pot kept under the bed took some getting used to.
My father’s comment on not knowing where he would be resting his head each evening had some resonance with me when studying the 1939 Census. On the Census night of the 29 September there were a total of 11 people residing in number twelve:
Caradog JONES
Margaret JONES
Jack Bailey JONES (my father)
Betty Bailey JONES (my aunt), and
Stanley HENDON, Journeyman baker, aged 20 years
Albert WHITLEY, Music hall artist, aged 28 years
Thomas BONNY, Music hall artist, aged 36 years
Eric RYAN, Music hall artist, aged 28 years
George WILDER, Music hall artist, aged 32 years
Thomas KEITH, Music hall artist, aged 28 years
Charles SMYTHE, Travelling stage manager, aged 29 years.
One of my grandparent’s boarders that night, Albert (Eric) WHITLEY, was the lead singer with the Teddy Joyce Orchestra. WHITLEY performed under the name of Tony LOMBARDO and was born in Wrexham in 1910; he died in his ‘home’ town in 1991.
For all that week from Monday 25 September to Saturday 30 September the Joyce Jamboree was appearing at the Theatre Royal. The ‘Jamboree’ comprised the Teddy Joyce Orchestra and a number of variety acts. Teddy JOYCE, real name Edmund CUTHBERTSON was born in Toronto Canada and came to Britain in the 1930s after a short career in the USA. Part of the pre-war ‘Big Band’ era, Joyce was known as “Hollywood’s Dancing Bachelor” and the “Stick of Dynamite”. However, his career was cut short, dying in Glasgow, February 1941, aged 36 years.
One can only guess where all these men slept at night, both downstairs rooms must have been jam-packed and some must have slept on the floor. The census does give us some insight into the kind of life these young men spent, with late night performances, makeshift accommodation and constant travelling to contend with for weeks/months on end.