Dowlais – Page 5 – The Melting Pot

Merthyr’s Chapels: Horeb Chapel, Penydarren

Horeb Welsh Independent Chapel, Penydarren

The cause at Horeb was begun in 1837 by Rev Joshua Thomas, the minister of Adulam Chapel in Merthyr. Rev Thomas started a school in a room adjoining the Lucania Billiard Room in Penydarren, and several members of Adulam, who were living in Dowlais, met Rev Thomas in the school and started holding prayer meetings there. The congregation grew to an extent that it was decided to build a new chapel, just a few yards away from Joshua Thomas’ school. The foundation stone was laid on 1 August 1839, and the chapel, the first place of worship in Penydarren, was completed the following year at a cost of £700. The original chapel was built in an elevated position overlooking the High Street.

The original Horeb Chapel. Photo courtesy of Carl Llewellyn.

For the first few years, Horeb was in a joint ministry with Adulam with the Rev Joshua Thomas ministering to both chapels. However when Rev Thomas left Merthyr in 1843, the elders of the chapel decided to call their own minister, and Rev Evan Morgan was ordained on March 26-27 1844. Sadly Rev Morgan was a victim of the cholera epidemic and died in June 1849, and he, his wife and one of his children were buried on the same day.

As a result of the cholera epidemic, there was a religious revival in Wales with many people joining chapels and churches. The congregation at Horeb continued to grow and in 1853, a new chapel was built at a cost of £1100. The new chapel was built with the main entrance now facing Horeb Street. Within three years a new schoolroom was also built next to the chapel at a cost of £400.

The second Horeb Chapel. Photo courtesy of Carl Llewellyn.

In 1891, the fabric of the building was in need of some attention, so the chapel underwent minor renovations and a new pulpit and ‘Big Seat’ were erected at a cost of £330.

By 1908, it had become obvious that the chapel was becoming quite dilapidated and really not adequate for the congregation, so a new chapel was built in 1908/09 at a cost of £3,900, including £400 for a grand pipe organ.

The interior of the chapel was finished to a very high standard with magnificent plasterwork, and the gallery and pulpit made from a mixture of oak, pitch pine, mahogany and ebony. The new chapel was considered to be one of the finest chapels in South Wales.

On the night of 28 April 1973, an arsonist started a fire in the chapel, and the building was gutted. Only the vestry adjoining the chapel was saved, and also the iron name plate which was cast in the Dowlais Ironworks.

Horeb Chapel in ruins after the arson attack in 1973.

Following the fire the chapel had to be demolished and the decision was made to build a new chapel. A new modern chapel was built at a cost of £60,000. Horeb is now the only place of worship in Penydarren.

Memories of Old Merthyr

We continue our serialisation of the memories of Merthyr in the 1830’s by an un-named correspondent to the Merthyr Express, courtesy of Michael Donovan.

Taliesin Williams by Joseph Edwards. ©Photo courtesy of Amgueddfa Cymru – National Museum Wales

The Rev J Carroll, the Catholic priest, resided on the Glebeland. He used to write a political letter to the Silurian weekly. Taliesin Williams’ residence was in Castle Street, but the schoolroom entrance for pupils was in Castle Field Lane. He had the most prominent school and the reputation for being somewhat too strict. My recollection of him, however, is quite clear, that he did not punish severely without great provocation. I can acknowledge that he gave me a slap once, and once only, but that it was also fully deserved must also be acknowledged.

As far as can now be recalled not one of his pupils can be named as alive now, except the writer. The late Mr Thomas Jenkins, of Pant, was supposed to be the last – but I am still left. The last of the family of that generation, Miss Elizabeth Williams, died about a year ago in the vicinity of London.

A Mr Shaw also had a school on the other side of the same lane. His son was an artist. John Thomas (Ieuan Ddu) can also be hazily recalled as keeping a school, but more vividly as a bass singer.

Mr John Millar, who, in conjunction with his brother Robert, carried on the brewery at Pontycapel, kept the Wheat Sheaf for many years, and afterwards moved to the Lamb. There was also a weaver, of the name of Wilkins, about the Glebeland, one of whose daughters married Mr W E Jones, the artist. The other daughter married and emigrated. The Merthyr Library and Reading Room started in the house at the corner of Castle Street and Glebeland.

Upon coming up to the Brecon Road from Caepantywyll, if we had gone on to Gwaelodygarth it would have led us past the entrance to the “Cottage” and Penydarren farm yard, past which the road leads to Penybryn and Pant, but keeping around by the Penydarren Park wall we came to the road to Dowlais close to the Penydarren turpike gate.

Mr Richard Forman, when manager of the Penydarren Works, resided at the “Cottage”. Mr William Davies, of the firm of Meyrick and Davies, lived there subsequently, and then Mr John Daniel Thomas, many years the high bailiff of the Merthyr County Court. Mr Grenfell, when the manager of Penydarren, resided at Gwaunfarren. Mr Benjamin Martin followed him (moving from the yard there) when becoming manager. Prior to this I always heard it called the Dairy. Occasionally one of the partners remained a short time at Penydarren House, but the gardener (named Price) used to sell the produce raised there.

Gwaelodygarth Fach a.k.a. “The Cottage”. Photo courtesy of the Alan George Archive

It was at Penydarren Ironworks that the first iron rails were rolled. They were known as the “fish-bellied” pattern. Tredgold, the authority upon the strength of iron, had a piece of iron supplied him with “Penydarren” upon it, by a firm of merchants in London, to whom he applied for a specimen of Welsh iron for experimental purposes. This fact is recorded in his treatise on the strength of iron.

To be continued at a later date…..

Rev Peter Price, Dowlais – part 1

by David Pike

In July 1904, Peter Price took up an appointment as the minister of Bethania Welsh Independent Chapel in Dowlais. This was just four months before the outbreak of full-blown revival in Glamorgan under the ministry of Evan Roberts at the start of November. Remarks Price made later suggest that Bethania, while large and seemingly successful, had become somewhat complacent prior to his arrival. It was certainly galvanised in the weeks that followed as Price’s preaching, described by historian R. Tudur Jones as ‘majestic intense preaching’, took effect. It was not long before young miners and steel workers in the congregation were turned into evangelists, and the wider community began to feel the effect of the new minister’s work. An article in ‘Y Dydd’ early in December 1904 mentioned that 40 had been added to the church even before the Revival came, and that 150 had been added since; while a piece about Peter Price which appeared in ‘Tarian y Gweithwr’ in April 1905 included the following:

‘From the time of his arrival in Dowlais in July 1904, by the zeal and tireless labours of Peter Price, especially among the young, the church has greatly increased the number of its members – and its membership now stands at one thousand. On one Sabbath night alone, he received one hundred and four new members and has received about three hundred since his arrival at the place.’

Bethania Chapel as it would have looked in 1904. Photo courtesy of the Alan George archive

Undoubtedly, long before Evan Roberts himself came to Dowlais in January 1905, Bethania had been experiencing revival, as had several other chapels in the Merthyr district. Roberts led a meeting at Bethania on Monday evening 23rd January, which was only scantily reported in the press the following day. All that appeared in the ‘Western Mail was the following brief comment, part of the longer article about the meetings held in various chapels in the town:

‘ … the prayers and testimonies were numerous, but there was no outstanding feature in them. Still, there could have been no possible exception taken to the devotional character of the Dowlais meetings, unless the curiosity which naturally prevailed may he said to have, now and then, acted as a barrier to the “swing” of enthusiasm which is characteristic of Dowlais people as it is of those of anywhere in Wales.’

But it seems that Evan Roberts had been somewhat critical of a certain coldness of heart that he had detected in some of those who were occupying the Big Seat in the meeting, among whom no doubt would have been some of the chapel deacons, and probably Peter Price himself.

Peter Price subsequently wrote a letter to the Editor of the ‘Western Mail’ which was published on the last day of January 1905. It was highly critical of what he called ‘the Evan Roberts revival’ which he saw as a false, worked-up and man-made phenomenon which was distinct from the true Holy Spirit revival which had been occurring in his own church and elsewhere. In the letter, Evan Roberts was portrayed by Price as an ill-educated and inexperienced newcomer who was not even trained as a minister, and who was causing untold damage to the churches out of a desire for personal prominence. More specifically, Price challenged Evan Roberts’ use of what might be called today ‘words of knowledge’ to identify in the meeting where people were coming to faith, questioning the spirit behind it; and also the apparent expressions of anger and rebuke when he sensed a coldness or unresponsiveness in the meeting. The letter was rather pointedly signed

“Rev. Peter Price, B.A. Hons., Mental and Moral Science Tripos, Cambridge (late of Queen’s College, Cambridge), minister of Bethania Congregational Church, Dowlais, South Wales.”

The letter created a furore in response, which found expression in a torrent of letters to the Editor of the ‘Western Mail’ which went on for several weeks.

Four fifths of the letters were strongly supportive of Evan Roberts (right), the young former coal-miner who in a few short months had emerged as a leading revivalist of the time; but the rest strongly took the side of the letter-writer himself. Evan Roberts did not respond and privately denied that the letter attacking him had any impact on him personally. However, within a week of its appearance, he became unwell, and had to cancel engagements for a period. Among them was a long-awaited visit to Cardiff, which subsequently never happened.

The Revival gradually petered out thereafter; and the letter has ever since been regarded by many as a primary cause for its coming to an end. However, while the letter he wrote may have been unnecessarily vehement in its criticism of Evan Roberts, it is also unfortunate that it has tended to overshadow the very positive outcomes of his ministry both in Dowlais and elsewhere. In spite of the backlash, Peter Price remained unrepentant, a reflection on how sure he was of his point of view. In fact, in September 1905, he spoke publicly again of his views on the Revival when speaking in Liverpool, and once more there was widespread public consternation.

In some circles in Wales after the Revival Peter Price continued to be regarded with a significant degree of disfavour. Even today there are those who only know him as the man who opposed the Welsh Revival. But his ministry was undoubtedly fruitful in Liverpool and Bethania; and after the Revival, his powerful and direct preaching won him considerable favour both in Wales and further afield. His ministry as a whole will be explored separately.

To be continued……..

The 1901 National Eisteddfod in Merthyr

by Laura Bray

It was Tuesday 6 August 1901 – 120 years ago today. The weather was undecided, threatening rain but holding off. The town was looking festive, with banners and streamers hung across the High Street, coloured lights put up around the Castle Hotel door, hotels gaily festooned with paper flowers and even houses decorated to catch the eye. The train station was busy all day, carrying people to Merthyr from all over, and 18,000 people made their way to the magnificent Pavilion in Penydarren Park, for the opening of the 1901 Eisteddfod.

The planning for the Eisteddfod had begun in February 1899 when a sub-committee of the Cymmrodorion Society, who were meeting in a care-takers room in the Town Hall, were discussing the Dewi Sant banquet and it was suggested that the National Eisteddfod might be invited to Merthyr in 1901 or 1903. The idea caught on, was discussed by “The Great and the Good” of Merthyr society and by 14 June 1899 it had been unanimously agreed that an application would be made to the Gorsedd Committee for either 1901 or 1903. The invitation for the Eisteddfod to come to Merthyr was accepted for 1901 and fundraising commenced apace. Some members of the committee had been part of the 1881 Eisteddfod, the last time it had come to the town, others were new and all came to together to decide that the Penydarren Park site, used in 1881, would again be ideal for the 1901 event.

The Penydarren Park site was, in 1901 as in 1881, a large open field with plenty of room for the Pavilion and space for the crowds outside the barriers so that the streets did not become too busy at the entrances. A refreshment tent was set up, a fruit stall and adjacent to that, a Post Office. Everyone wanted to come and by the time the Eisteddfod opened before midday it was packed, and by the afternoon, there was standing room only. The band played and the mornings proceedings were chaired by the Lord Tredegar, and conducted by “Gurnos” (Gurnos Jones) and “Mabon” (Abraham Williams).

The event spanned the week and was a great success. On the final Saturday, the sun shone and the Archdruid conferred Druidic degrees on the Rev Dr Rowlands, America; the Rev David Owen, Llanfair Muallt; Miss Annie Rees M.D., New York; Miss S.M Lewis, Dr. Hughes, Dowlais and others. The next Eisteddfod, to be held in Bangor, was also proclaimed. Merthyr did itself proud with prizes – Miss Edith Matthews won £2 for the best paper on counterpoint and harmony in four parts; Tom Price won £3/3- for the best oboe solo; Harry Llewellyn won £3 for the cornet solo, and came second in the bass solo; The Merthyr Orchestral Society won the prize of £40. In the Arts and industries section, Zechariah Watkins from Dowlais won the prize for a set of six panels imitating marbles; J Westacott from Merthyr won the best painted and varnished door and David Thomas in Merthyr the prize for one white shawl.

“Dyfed” (Evan Rees from Aberdare ) was chaired as Bard, having already won five National Chairs, including that of the Chicago Eisteddfod. The Crown went to John Jenkins of Gwili

What was interesting about the Eisteddfod was the huge coverage it received from the Press – way beyond anything you would get today – and the distances people travelled to attend. Hotels in Merthyr were booked up well in advance and there are reports of visitors from as far afield as America. Ticket sales alone brought in £3343 10s 9d and subscriptions another £1100. The cost to the town of hosting it was calculated at £4200, which meant that there was a surplus of £843 10s 9d – around £106,000 in today’s money – no mean achievement. This was the last time the National Eisteddfod came to Merthyr (although the Urdd Eisteddfod came in 1987). Perhaps we are due another visit!

Road Accident in Dowlais

From the Merthyr Express 100 years ago today…..

Breaking the Glass Ceiling – Laura Ashley

by Diane Newman Jenkins BA (Hons)

Laura Ashley was the first female entrepreneur, and I wrote this to honour and celebrate a Dowlais born girl from my home town of Merthyr Tydfil.

Laura Mountney was born in Dowlais on the 7 September 1925. Although her Welsh parents lived in London, they returned to ensure their child would be born in Wales. She was born in her Grandmother’s house in 31 Station Terrace, and it was from these humble beginnings in a colliery workers cottage she would go on to become the owner of a multi-million pound fashion and furnishing empire, with 500 shops worldwide carrying her name.

As a child she attended Hebron Chapel in Dowlais, and went to school at Marshall’s School, of which I can find no trace on maps or documents. This was until 1932 when she moved to England and attended Elmwood School.

At the beginning of World War II, Laura was evacuated back to Wales. However the Merthyr schools were full, so she attended Secretarial school in Aberdare until 1942, when, aged 16, she left school and joined the Royal Navy Service. Here she met the English engineer Bernard Ashley at a Youth Club.

Laura became Mrs Ashley in 1949 when she married Bernard. She and Bernard started a small business in 1953, in a basement flat in London’s Pimlico, Laura and her husband laid the foundations for what was to become one of Britain’s greatest fashion success stories.

She was inspired by an exhibition of Patchwork and Quilts on display at the Victoria and Albert Museum. Laura used library books to teach herself how to transfer colour onto fabric, working on a silk screen built by Bernard in their kitchen. This allowed her to make fabric for furniture, curtains etc. in the 1950s, expanding the business into clothing design and manufacture in the 1960s. The company grew over the next 20 years to become an international retail chain.

While working as a secretary and raising two children, Laura undertook some work for the Women’s Institute on quilting, revisiting the craft she learnt from her Grandmother and books. But this was no overnight success story. The couple struggled to raise working capital and every bit of the profit was invested straight back into the business. Her first order was 20 scarves to John Lewis stores. This grew to printed tea towels, gardening aprons etc. Bernard eventually left his city job to join in the family business. The couple went on to have another two children who all worked in the family business.

Laura became known as a British designer who achieved renown for her genteel Victorian inspired fashions in women’s clothes and for her English country style of furnishing for homes. For more than half a century her name was synonymous with quintessential English style, but Laura was Welsh through and through. Wales played a huge part in her success. Her first shop was in Machynlleth in 1961, with a factory two years later in Powys. Bernard was the company chairman and Laura kept her eye on the fabrics.

1970s printed cotton dresses by Laura Ashley exhibited at the fashion museum in Bath 2013

From humble beginnings the couple went on to success in the company allowing them to afford a yacht, private plane, Chateau in France, town house in Brussels and a villa in the Bahamas.

In 1985, just days after her 60^th birthday Laura fell down the stairs at their daughters home in the West Midlands. She was taken to hospital, but sadly died days later of a brain haemorrhage. She is buried back home in Wales, in Carno.

The company continued without her. Sales totalled over £276 million in 2000. However in March 2020, due to the pressure put on retailers because of the outbreak of the Coronavirus pandemic, the fashion chain collapsed and went into administration.

The Old Merthyr Constables

From the Merthyr Telegraph 160 years ago today…..

Merthyr Historian Volume 31

The Merthyr Tydfil Historical Society is pleased to announce that, despite all of the difficulties due to Covid-19, volume 31 of the Merthyr Historian is now for sale.

Merthyr Historian Volume 31 – Contents
Chapter 1	Penydarren born Frank T Davies, 1904-1981, pioneer, geophysicist and polar explorer	Roger Evans
Chapter 2	Science at the cusp: Caedraw 1887 and education in Merthyr	John Fletcher
Chapter 3	‘Whom the gods love, die young’: the frail genius of Harry Evans, conductor	T Fred Holley & John Holley
Chapter 4	‘Kathleen Ferrier slept in my bed’: musical celebrities and wartime Merthyr Vale	Mair Attwood
Chapter 5	Robert Rees: the Morlais Nightingale	Stephen Brewer
Chapter 6	The female drunkard in the mid nineteenth century	Barrie Jones
Chapter 7	Cefn Glas: a forgotten colliery	Clive Thomas
Chapter 8	Emlyn Davies, Dowlais Draper: a family flannel and local business history	Alan Owen
Chapter 9	Merthyr relief and social work in the worst of times: Margaret Gardner (1889-1966)	Christine Trevett
Chapter 10	Appeal and response, Merthyr’s need 1930-31, from The Skip Collection	Clive Thomas & Christine Trevett
Chapter 11	Pulpit and platform, revival reservations and reforms: the work of the Rev John Thomas (1854-1911) at Soar, Merthyr Tydfil	Noel Gibbard
Chapter 12	The Rev G M Maber, Merthyr and the poet Robert Southey’s Welsh Walks	Barrie Jones
Chapter 13	The drums go bang, the cymbals clang. Three bands, Troedyrhiw 1921	T Fred Holley & John Holley
Chapter 14	The railways of Pant and Dowlais towards the end of steam	Alistair V Phillips
Chapter 15	Book Review: Merthyr Tydfil Corporation Omnibus Dept.	Keith L Lewis-Jones
Chapter 16	From Dudley to Dover and Dowlais: Black Country tram sales and their brief second careers	Andrew Simpson
Chapter 18	‘Here’s health to the Kaiser!’ Patriotic incident at Treharris, 1914	Christine Trevett
Chapter 19	Lady Charlotte and Sir John: the Guest family at large. A review essay on recent books	Huw Williams
Chapter 20	Dr Brian Loosmore (1932-2019). An Appreciation	T Fred Holly
Chapter 21	‘Rather less than four pence’: A case of benefits in Merthyr Tydfil in 1933 (transcribed)	John Dennithorne

It is a mammoth volume at350+ pages long and priced at £12.50 (plus postage & packing).

If anyone would like a copy of the book, please contact me at merthyr.history@gmail.com and I will forward your request to the appropriate person.

Did you know?

Following on from the last post, did you know that, as well as being an ironmaster (and later M.P.), that Josiah John Guest was also a prize-winning turnip grower?

The excerpt from an article in The Cambrian dated 11 November 1820, detailing a meeting of the Glamorganshire General Agricultural Society gives the details:-

The Guest Memorial Hall

One of the few remaining historical buildings in Dowlais is the Guest Memorial Hall, or the Guest Keen Club as it is more commonly know today. It has a fascinating, if troubled history.

When Josiah John Guest died in 1852, his widow, Lady Charlotte began thinking of projects to commemorate her husband. Her first project was to build a school for the children of the Dowlais area, and the Dowlais Central Schools were completed in 1855. Whilst the school was under construction, the work-men of the Dowlais Ironworks also wanted to contribute to another memorial to their former employer.

In March 1854, a public meeting was held, and it was proposed that a library and reading room should be built in memory of Josiah John Guest. A committee was set up, and subscription lists were issued – they even placed an advertisement in The Times newspaper. A sum of £2,200 was eventually raised, and Sir Charles Barry was commissioned to design the building.

Sir Charles Barry was one of the foremost architects of the day, his most famous work being the Houses of Parliament. A personal friend of Sir Josiah and Lady Charlotte Guest, he had been responsible for designing the Dowlais Central School.

Unfortunately, Barry’s plans proved too grandiose for the funds available. Work started in early 1855, but by the end of the year, over £5,000 had already been spent on the project. New trustees were appointed, and they were dismayed to discover that not only had a huge amount been spent in excess of the budget, but only the walls and roof timbers had been prepared.

The trustees, having paid for slating the roof and glazing the upper story, called an emergency public meeting. They offered two alternatives: firstly the subscribers could try to find the extra money required to complete the work; or secondly, they could hand over the project to the Dowlais Iron Company who would finish the work, and thus own the building. The subscribers decided on the latter course of action.

The Dowlais Iron Company took over the project, and the original subscriptions were returned to the trustees who used the money to provide annual scholarships for the children taught in the Dowlais schools.

A postcard of the Guest Memorial Hall from the early 1900s. Photo courtesy of the Alan George Archive.

The new library, which was a classical style cruciform two-storey building, the main rooms raised on a basement storey, built of massive stones with a Bath-stone balustraded pillared portico on the first floor, was finally opened in 1863. The total cost of the building was £7,000. The new library was equipped with an excellent collection of books in both Welsh and English, and newspapers and magazines were also available to the public. A part of the building was also set aside to be used as a museum, and fossils that had been discovered in local pits and quarries were displayed there.

The library closed in 1907 when the new Carnegie Free Library opened in Dowlais. The building subsequently became a social club and remains open to this day as a restaurant and as an events venue.