Tag: Cyfarthfa Castle Museum

Merthyr Historian Sale

The Merthyr Tydfil & District Historical Society is pleased to announce a very special offer price for back issues of Merthyr Historians.

All books are as new and are offered at £2.00 each or 3 for £5.00.

Postage is £3.50 per book, or books can be picked up from depositaries in Merthyr (on arrangement).

If you would like to buy any of these volumes, please contact merthyr.history@gmail.com

The volumes on offer are:-

VOLUME 15 (2003)  ISBN 0 9544201 1 X Ed. T.F. Holley
1.  Dr. Joseph Gross by Glanmor Williams
2. Attraction and Dispersal by John Wilkins
3. Mrs. Mary Ann Edmunds by Mary Patricia Jones
4. Bacon v Homfray by Eric Alexander
5. Cheshunt College, Hertfordshire by Barrie Jones
6. Striking Features: Robert Thompson Crawshay’s Large-Scale Portraits by Jane Fletcher
7. Margaret Stewart Taylor. A Notable Woman of Merthyr Tydfil by Carolyn Jacob
8. Iron Working in the Cynon Valley by Douglas Williams
9. Owain Glyn Dwr – After Six Hundred Years by Glanmor Williams
10. Merthyr Amateur Theatricals, 1860’s by H. W. Southey
11. Shon Llywelyn of Cwm Capel by Lyndon Harris
12. Hoover Transport, 1948-98 by Gwyn Harris M.M.
13. David Jones (1760-1842), Merthyr Clockmaker, Revisited by W. Linnard, D. Roy Sears & Chris Roberts
14. The English Bible by J. W. Bowen
15. He Came, He Saw, He Conquered Merthyr Commerce – Thomas Nibloe’s Story by T. F. Holley
16. Colour Supplement – Merthyr Buildings

VOLUME 17 (2004) ISBN 0 9544201 3 6 Ed. T.F. Holley 
1.  & Pastimes in the 18th & 19th Century, Merthyr Tydfil by Geoffrey Evans
2. Celtic Connections: Early Quoiting in Merthyr Tydfil by Innes MacLeod
3. The Will of the Revd. William Price Lewis, 1839 by T. F. Holley
4. The Dic Penderyn Society and the Popular Memory of Richard Lewis by Viv Pugh
5. The Welsh Religious Revival, 1904-5 by Robert Pope
6. Reporting Revival by Neville Granville
7. A French View of Merthyr Tydfil and the Evan Roberts Revival by William Linnard
8. Songs of Praises: Hymns and Tunes of the Welsh Revival, 1904-5 by Noel Gibbard
9. Revival, Cwm Rhondda, 1905 by William Linnard
10. Diwygiad 1904-5. A Select Reading List by Brynley Roberts
11. Rosina Davies, 1863-1949. A Welsh Evangelist by Eira M Smith
12. Evan Roberts, the Welsh Revivalist by J. Ann Lewis
13. Evan Roberts at Heolgerrig, Merthyr, January 1905 – Transcribed
14. Sir Thomas Marchant Williams & the Revival – Transcribed
15. Potpourri, a Medley by The Editor
16. What Wales Needs – Religiously, 1907 by Evan Roberts
17. Joseph Williams, Printer. TYST A’R DYDD. 1903 by T. F. Holley
18. Dr. Thomas Rees (1825-1908), of Cefncoedycymer by John Mallon
19. Everest & Charles Bruce (1866-1939): The Welsh Connection by Huw Rees
20. The Lusitania Catastrophe and the Welsh Male Voice Choir by Carl Llewellyn
21. Merthyr Amateur Theatricals, 1860’s. Part Two by H. W. Southey
22. Books, Old and New. Short Reviews by The Editor
23. Night Mrs. Evans by Ken J. Mumford
24. Some Early History of Park Baptist Church, The Walk, Merthyr – Transcribed
25. Letter re: Wool Factory, Merthyr Tydfil

VOLUME 22 (2011) ISBN 0 9544201 8  7  Ed. T.F. Holley
1. A Visit to Merthyr Tydfil in 1697 by Brynley F. Roberts
2. A Pedestrian Tour Through Scotland in 1801: New Lanark before Robert Owen by Innes Macleod
3. Note for Merthyr Historian by K. H. Edwards
4. Charles Richardson White, Merthyr Vale by T. F. Holley
5. Isaac John Williams, Curator by Scott Reid
6. The Merthyr Historian. Some Statistics by J. D. Holley
7. Thomas Evan Nicholas, 1879-1971 by Ivor Thomas Rees
8. Eira Margaret Smith: A Personal Tribute by Huw Williams
9. Saint Tydfil’s Hospital 1957. A House Physicians Recollections by Brian Loosmore
10. John Devonald, 1863-1936. Aberfan Musician and Remembrancer of Musicians by T. F. Holley
11. The Remarkable Berry Brothers by Joe England
12. Albert de Ritzen: Merthyr Tydfil’s Stipendiary Magistrate 1872-1876 by Huw Williams
13. A Scrap of Autobiography by Charles Wilkins, Annotated by His Great Grandson by John V. Wilkins, OBE
14. Industrial History of Colliers Row Site and Environs by Royston Holder (the late)
15. The Life of Maria Carini by Lisa Marie Powell
16. Lecture by J. C. Fowler, Esq., Stipendiary Magistrate, 1872 ‘Civilisation in South Wales – Transcribed
17. Gwyn Griffiths -‘The Author of our Anthem. Poems by Evan James’ – Book Review by Brian Davies
18. Enid Guest – ‘Daughter of an Ironmaster’ by Mary Owen – Book Review by Ceinwen Statter
19. Caepanttywyll – A Lost Community by Christopher Parry
20. James Colquhoun Campbell (in four parts) – T. F. Holley
(A) The Social Condition of Merthyr Tydfil, 1849
(B) The Venerable Archdeacon Campbell, 1859, Biography
(C) St. David’s Church, Merthyr Tydfil, Visited, 1860
(D) J. C. Campbell and the Census Record, Research by Mrs. C. Jacob
21. Interesting Book Plate

VOLUME 23 (2012) ISBN 0 9544201 9 5  Ed. T.F. Holley
1. Vince Harris, 1904-1987 by Margaret Lloyd
2. All Change for Plymouth: A Year in the Life of a Mining Engineer by Clive Thomas
3. Who Was The Real Lydia Fell? by Christine Trevett
4. Sewage Pollution of the Taff and the Merthyr Tydfil Local Board (1868-1871) by Leslie Rosenthal
5. Redmond Coleman, the Iron Man from Iron Lane by Carolyn Jacob
6. The Assimilation and Acculturation of the Descendants of Early 20th Century Spanish Industrial Immigrants to Merthyr by Stephen Murray
7. David Williams, High Constable, Merthyr Tydfil 1878-1880 by T. F. Holley
8. John Collins, V.C. by Malcolm Kenneth Payne
9. Marvellous Merthyr Boy – Transcribed
10. A Remarkable and Most Respected Enterprise, J. Howfield & Son, Merthyr Tydfil, 1872-2001 by Mary Owen
11. The Uncrowned Iron King (The First William Crawshay) by J. D. Evans
12. Watkin George 1759-1822, The Mechanical Genius of Cyfarthfa, The Pride of Pontypool by Wilf Owen
13. Opencast History (Illustrated) by Royston Holder
14. The Laundry Trade by T. F. Holley
15. Grand Concert at the Oddfellows Hall, Dowlais – Transcribed
16. Guidelines for Contributors – By courtesy of the Glamorgan History Society

VOLUME 24 (2012) Ed. T.F. Holley
1. Elphin, Literary Magistrate: Magisterial Commentator by Brynley Roberts
2. Picturing ‘The Member For Humanity’. J. M. Staniforth’s Cartoons of Keir Hardie, 1894-1914 by Chris Williams
3. William Morris, Yr Athraw and the ‘Blue Books’ by Huw Williams
4. Hugh Watkins by Carl Llewellyn and J. Ann Lewis
5. Gomer Thomas J.P. 1863-1935 by Wilf and Mary Owen
6. Oddfellows and Chartists by Lyndon Harris
7. John Roberts, Ieuan Gwyllt, Composer of Hymns by G. Parry Williams
8. Georgetown? How Was It? By Clive Thomas
9. Book Review: Bargoed and Gilfach – A Local History
10. A History of Ynysgau Chapel by Steven Brewer
11. ‘Mr Merthyr’ S.O. Davies 1886-1972 by Rev. Ivor Thomas Rees
12. Historical Farms of Merthyr Tydfil by John Griffiths Reviewed by Keith Lewis-Jones
13. National Service, Doctor With The Gurkhas by Brian Loosmoore
14. A Year of Anniversaries: Reflections on Local History 1972-2012 by Huw Williams
15. The Family of Dr. Thomas Rees, Revisited by John Mallon
16. Merthyr District Coffee Tavern Movement, 1880 by T. F. Holley
17. Henry Richard (1812-1888) – Apostle of Peace and Patriot by Gwyn Griffiths
18. Owen Morgan – Miners’ Reporter by Brian Davies
19. The Tredegar Riots of 1911 – Anti Liberalism ‘The Turbulent Years of 1910-1914’ by Lisa Marie Powell
20. Adulum Chapel by Carl Llewellyn
21. Cyfarthfa’s Curnow Vosper Archive by Gwyn Griffiths
22. Whithorn Gas, 1870 by Innes Macleod
23. A Journey from Merthyr to Sydney, A Talented Portrait Painter by Graham John Wilcox
24. The Merthyr Bus Rallies by Glyn Bowen

VOLUME 25 (2013)  Ed. T.F. Holley
1. The Merthyr Tydfil 1835 Election Revisited, Lady Charlotte Guest’s Account by E (Ted) Rowlands
2. John Josiah Guest at Auction by Huw Williams
3. Conway and Sons Dairies Ltd. – Some Notes by G. Conway
4. John Petherick; Merthyr’s Man of Africa by John Fletcher
5. Travels in the Valleys. Book Review by Glyn Bowen
6. Plaques by John D. Holley
7. William Thomas Lewis 1837-1914 by A Family Member
8. Boom Towns by Brian Loosmore
9. The Taff Valley Tornado 1913 by Stephen Brewer
10. Plaques by John D. Holley
11. From Mule Train to Diesel Lorries. The Dowlais Iron Company Connects the Coast by Wilf Owen
12. Review CD. Some of the History of Merthyr Tudful and District via Its Place Names by John & Gwilym Griffiths by Keith Lewis-Jones
13. Caedraw Primary School, 1875-1912 by Clive Thomas
14. Charles Butt Stanton, 1873-1946 by Revd. Ivor Thomas Rees
15. The Merthyr and Dowlais Steam Laundry Limited, 1891 by T. F. Holley
16. Dynamism, Diligence, Energy and Wealth. Trade and Commerce in Merthyr Tydfil 1800-1914 by Mary Owen
17. YMCA. Merthyr Tydfil Lecture 1861 by J. C. Fowler – Transcribed
18. John Nixon and the Welsh Coal Trade to France by Brian Davies
19. Tydfil School, Merthyr Tydfil, 1859-1873 by Evan Williams – Transcribed
20. Gossiping in Merthyr Tydfil by Carolyn Jacob
21. Penywern to Pontsarn. The Story of the Morlais Tunnel. The Writer’s Early Impressions by A. V. Phillips
22. Short History of the Thomas-Merthyr Colliery Company. Merthyr Tydfil, 1906-1946 by Ronald Llewellyn Thomas – Transcribed
23. Morien and Echos of Iolo Morgannwg by T. F. Holley
24. Merthyr Tydfil’s Stipendiary Magistracy and Walter Meyrick North (1886-1900): A Case Study by Huw Williams

VOLUME 26 (2014) ISBN 978 0 9929810 0 6 Ed. T.F. Holley
1. Three Generations of a Dowlais Medical Family 1860-1964 by Stuart Cresswell
2. Viscount Tredegar, Balaclava Veteran, 1913 by T. F. Holley
3. What Makes a Country Great? Lecture by Stipendiary Magistrate – J. C. Fowler – 1858
4. Billy ‘The Doll’ Williams by Malcolm K. Payne
5. Evan James, Dr. William Price and Iolo Morganwg’s Utopia by Brian Davies
6. John A. Owen (1936-1998), Dowlais Historian: An Appreciation by Huw Williams
7. Welsh Women and Liberation from Home: Feminist or Activist? By Lisa Marie Powell
8. Gwilym Harry (1792-1844), Unitarian – Farmer – Poet by Lyndon Harris
9. ‘Aunt’ Emma’s Ronnie by Clive Thomas
10. Morgan Williams: Merthyr’s Forgotten Leader by Joe England
11. Matthew Wayne (1780-1853) by Wilf Owen
12. The Contribution of Hunting to the 1914-18 War, 1914 by T. F. Holley
13. The Difficulties of M.T.C.B.C.’s Financial Management and Administration, 1926-1937: Maladministration, Political Ideology or Economic Reality? By Barrie Jones
14. The Rail Accident at Merthyr Station, 1874 by Stephen Brewer
15. Courtland House, 1851 by Mary Owen
16. Formation of the South Wales and Monmouthshire Brass Bands Association, 1891 by T. F. Holley
17. Moses Jones (1819-1901) by Annette Barr
18. Dr Richard Samuel Ryce, M.D. M.Ch.: An Irish Doctor by T. F. Holley
19. Cwmtaf – A Drowning of the Valley and its Consequences by Gwyneth Evans
20. A Professor Gwyn A. Williams Symposium
a. Recollections of Professor Gwyn Williams, University of York, 1967-70 by Frances Finnegan
b. Memories of Gwyn at York by Brian Davies
c. Professor Gwyn Alf Williams. A Personal Remembrance by Viv Pugh
21. Merthyr Tydfil at War, 1914 by Stephen Brewer
22. Photo Feature – Archaeology by T. F. Holley

Memories of Old Merthyr

We continue our serialisation of the memories of Merthyr in the 1830’s by an un-named correspondent to the Merthyr Express, courtesy of Michael Donovan.

George Thomas Clark by Henry Wyndham Phillips. Courtesy of Cyfarthfa Castle Museum and Art Gallery

Without being positive, it was early in the forties Mr George Thomas Clark can be first recalled at Dowlais. It was an open secret that he was not very acceptable to the Evanses, but a thunder-clap broke, and was stated that Thomas [Evans] was going away; that he was in fact going to Rhymney. His salary was £1,000 a year at Dowlais, but was to be £1,500 at Rhymney, with residence, and the other usual agent’s privileges. No doubt he would have gone had not Mr Clark left, and his salary increased to the Rhymney rate. The Dowlais Company had also to pay £800 for expenses the Rhymney Company had gone to in preparing a residence for him. This is proof of the value Sir John set on Mr T Evans’ services. He died, and Mr Clark afterwards became supreme at Dowlais.

It is thought appropriate to give some things that reflect that honour. Dowlais was ever progressive. There was neither lack of capital or skill. One consulting man engaged was Rastrick of Birmingham. When the drift into the coal was made at the back of the blast furnace yard, Rastrick designed a pair of winding engines the like of which is unknown. They were of the vibrating kind, moving upon trunnions at the bottom of the cylinders, with winding gear above.

The engines were made at the Neath Abbey Works, fixed and started, but some old and opinionated persons whispered, “Oh it will never do”. “Then I’ll put another” said Sir John. It did work, however, for years, but alas, as other things also, it did not get the attention it ought to have had, and with the alteration in the working of minerals it was disused.

Somewhere in 1838 or ’39 Mr John Russell, the doctor, was leaving, and in order to get the best man to succeed him, Sir John asked his London physician to visit Dowlais so as to learn the real condition of things in order to select the most suitable man he knew of. John L White was the only one selected, but Mawdesly (who has already been mentioned as the engineer of the Ivor Works) was ill, and was sent for to Dowlais House. The physician examined him and strongly recommended Mawdesly’ wintering in Madeira.

Some four days after, Sir John spoke to him about it, and Mawdesly frankly said it was beyond his means. “Don’t let that stand in the way; you shall go is you would like to” was told him to his comfort and the everlasting credit of Sir John. Returning is the spring better, he soon found himself falling back, and Sir John sent him for another winter to Funchal. Not much benefitted, he returned in 1841, and after a while left, first for Southport, his native place, and, going to Wolverton for a while, passed away there.

To be continued at a later date…….

What’s on at Cyfarthfa?

by Charlotte Barry

During May, the following talks will be held at Cyfarthfa Castle Museum and Art Gallery.

11 May – “Colonial Cyfarthfa: The Uncomfortable Truth Behind an Industrial Giant” – Chris Parry

14 May – “Women in Welsh Coal Mining: Tip Girls at Work in a Man’s World” – Norena Shopland

19 May – “Capturing the Crawshays” – Ben Price

Everyone is welcome. All talks start at 2.00 pm and tickets are available by following the link below.

https://cyfarthfa-museum.arttickets.org.uk/

The Cyfarthfa Philosophical Society – part 1

by Andrew Green

Penry Williams, Cyfarthfa Ironworks interior at night (1825). (Cyfarthfa Castle Museum and Art Gallery)

The end of the eighteenth and the beginning of the nineteenth century saw the rise of local ‘literary and philosophical institutions’ throughout the British Isles.  They aimed to bring together like-minded people to discuss issues of the day.  The label ‘philosophy’ usually meant not logic or metaphysics, but an interest in the latest developments in science and technology, at a time when their study was in rapid flux as the industrial revolution gathered pace.  Typically, members gathered to listen and respond to lectures by visiting speakers.  Some societies also owned premises, issued publications, maintained libraries and museums, and even, as in the case of the Swansea Philosophical and Literary Institution (later the Royal Institution of South Wales), equipped and ran a scientific laboratory.

Most literary and philosophical societies were dominated by the upper and middle classes: members of the gentry and clergy, scientists, industrialists and engineers.  And so, on the face of it, was the Cyfarthfa Philosophical Society, set up in Merthyr Tydfil in 1807.  But all was not quite as it seemed.

Penry Williams, Crawshay’s Cyfarthfa Ironworks (1817) (National Museum Wales)

At this time Merthyr was entering its heyday as one of the most dynamic and rapidly expanding towns in Britain, thanks to the numerous iron works set up in and around its centre.  The ironworks – Cyfarthfa was one of the two largest – employed large numbers of skilled and semi-skilled workers, and the town also housed the works’ owners, engineers, managers and agents, and others like shopkeepers who serviced the residents.  Early on in its explosive growth, despite its lack of physical infrastructure, like decent housing, sanitation and schools, Merthyr had a lively community culture, centred on its many chapels.  From the start of the nineteenth century its people developed a tradition of industrial protest and political radicalism.  In 1831 disaffection boiled over into what became known as the Merthyr Rising.

Most of what’s known about the Cyfarthfa Philosophical Society comes from Charles Wilkins’s A History of Merthyr Tydfil, published much later in 1867.  This is how Wilkins (left) describes how the Society began, apparently with a strong interest in astronomy:

On December 15th, 1807, sixty persons, living in Merthyr and its neighbourhood, met together, and subscribed a guinea each towards buying such apparatus as was deemed suitable; but that sum proving inadequate, it was augmented by a good many of them subscribing another half-guinea.  The instruments were had, a code of rules drawn up, and a few books on astronomy purchased.  It gives us a tolerable notion of the capacity of the members when we learn that the list of instruments was composed of a good reflecting telescope, a pair of globes, a microscope, a planetarium, an orrery, an equatorial, and other philosophical apparatus. (p.269)

Wilkins gives the names of the most prominent of the founding members:

J. Bailey, Esq., an M.P., and a large iron-master; the poet and stone-cutter, Rees Howell Rees; John Griffiths and William Williams, afterwards famous as engineers and mechanicians; William Aubrey, the mill contractor; Thomas Evans, the philosopher, astronomer, and mathematician, of Cyfarthfa ; Benjamin Saunders, the ingenious moulder; Henry Kirkhouse, the mineral agent; and several others more or less able in their respective callings. 

Joseph Bailey was the nephew of Richard Crawshay, the founder of the Cyfarthfa Ironworks.  He inherited a quarter share in the works, but sold it in 1813 and bought the Nant-y-Glo works.  Later he added the Beaufort works.  He converted much of his large profits into land, and lived at Glanusk Park.  Possibly Bailey was chosen as the ‘respectable figurehead’ of the Society.

Anon., William Williams, Chief Engineer of the Cyfarthfa Ironworks (c1810) (Cyfarthfa Castle Museum and Art Gallery)

Most of the other men Wilkins mentioned were highly skilled technologists connected with the Cyfarthfa Ironworks.  John Griffiths and William Williams were both engineers there.  Griffiths built steam-engines.  In 1829 Williams invented the first machine for testing the tensile strength of metals.  In later life, it was said, he became so large that he had to be moved around the works in a specially built trolley.   His son, Morgan Williams, became the leading Merthyr Chartist. William Aubrey of Tredegar helped design the extensive water systems at Cyfarthfa.  ‘None of his contemporaries’, his obituary in Seren Gomer said, ‘was as skilful as he was in inventing and setting up all kinds of engines and machines worked by fire and water’.  Benjamin Saunders, the ‘ingenious moulder’ at the Cyfarthfa works, later described as ‘an amalgam of an inventive brain and a deft hand’, built a planetarium, a quadrant, a thermometer, a water-gauge and a weather-glass.  Henry Kirkhouse was the mineral agent at Cyfarthfa for more than half a century, and ‘retained the respect of all who came in contact with him – from Mr Crawshay to the humblest miner’.

To be continued……

Reproduced with the kind permission of Andrew Green. To see the original, please click https://gwallter.com/history/the-cyfarthfa-philosophical-society.html

Memories of Cyfarthfa School

Did you go to Cyfarthfa School? Did you teach at Cyfarthfa School?

Next year Cyfarthfa Castle celebrates its 200th anniversary. To mark the event, Cyfarthfa Castle Museum and Art Gallery in association with the Merthyr Tydfil & District Historical Society are planning to produce a book and exhibition recording people’s memories of Cyfarthfa School.

Castle School Geography Class 1914. Photo courtesy of the Alan George Archive

If anyone would like to share their memories, big or small, in writing or orally, please contact one of the people below and we can let you know what sort of thing we are looking for:-

Laura Bray – jasonbray@aol.com

Steve Brewer – stevebrewer68@hotmail.co.uk

Carole-Anne Johnson – c.harris51@yahoo.co.uk

Let’s try for a good book with as many memories as possible.

Castle School orchestra 1950s. Courtesy of the Alan George Archive

Merthyr Central Library

by Carolyn Jacob

A ‘flourishing’ library existed in the Merthyr Tydfil Parish from 1846, although it consisted of only two dozen volumes collected by Thomas Stephens and Charles Wilkins. The books were originally for their ‘conversational club’ and believed to have been in the Temperance Room behind the Merthyr Market. Gradually a number of libraries developed in Merthyr Tydfil, Abercanaid, Aberfan, Dowlais, Penydarren, Thomastown, Treharris, Troedyrhiw and, outside the Parish, Cefn Coed. The ‘central’ library was located in the Town Hall from 1901 but transferred to two vacant shops in the Arcade by 1907. By 1918 The Arcade Library had a reference section and a sizeable number of books. In 1930 the Corporation had to find new premises for the Library and moved to 136 Lower High Street at an annual rental of £100. The Library was known as the Town Reading Room and both this library and the Thomastown Library closed in 1935 when the new Central Library opened.

Photo courtesy of the Alan George Archive

The Central Library, in a fine renaissance rectangular style, is a protected grade II historic building, it was purpose built and has always been a library. It was placed on vacant ground, given by the Council, which was once the site of the former St David’s School. The foundation stones were laid in 1935 and the building completed using money from the American Steel millionaire, Andrew Carnegie. The Carnegie Trust donated £4500 on condition there was an adequate book fund and that a properly trained and competent Librarian be appointed.

The Library was designed by Councillor T. Edmund Rees (of Messrs Johnson, Richards & Rees, architects of Merthyr) and built by Messrs Enoch Williams and Sons, contractors of Dowlais at a cost of £8,500. The exterior is in an Arts and Crafts Modern style with Portland stone, hipped Cumbrian slate roof swept to wide eaves. An attractive feature is the large central doorway and Tudor arch in moulded surround to entrance. The interior has a panelled wooden entrance-hall, although sadly the original oak wood, which is a wonderful feature of this building, was painted during refurbishment in 2011. The stained glass as you enter the building commemorates the Urdd National Eisteddfod which was held in Merthyr Tydfil in 1987. The building was opened in 1936 by the Mayor, Lewis Jones who became the first borrower of a book from Merthyr’s new Library.

The first librarian, Mr E. R. Luke received a salary of £330 a year and not only spoke Welsh fluently but he also had a working knowledge of French, German and Latin.  Merthyr Libraries have always provided a free library service for residents and visitors. The new library was a great success and the number of registered borrowers rose from 1400 in March 1936 to 10,765 by February 1940. As a child the historian Gwyn Alf Williams made ‘daring raids into alien territory in Merthyr Library’.

In 1946 Merthyr Tydfil became the first Authority in Wales to appoint a woman as Borough Librarian and an English woman at that – Margaret Stewart Taylor. She also became curator of the Cyfarthfa Castle Museum and was a remarkable local historian. Miss Taylor wrote 23 books on a wide variety of topics, a classic work on library cataloguing and classification, biography, local history such as ‘The Crawshays of Cyfarthfa’, travel writings based on her own experiences and romantic fiction set in a fictional town which was a thinly disguised Merthyr Tydfil. She compiled and edited ‘Fifty Years a Borough, 1905-1955’ to commemorate the incorporation of the Borough of Merthyr Tydfil. She set up a school library service and established local history as important in both the Library and the Museum. Margaret Stewart Taylor demanded high standards from her staff and would personally inspect the library shelves to make sure the books were all in strict order. A book incorrectly shelved would be left in the middle of the floor.

Margaret Stewart Taylor

The Plaque on the exterior of Merthyr Tydfil Library by the doorway is dedicated to Richard Lewis, (Dic Penderyn). At the time of the 1831 Merthyr Rising he was a miner in Merthyr Tydfil. He was charged with feloniously wounding Donald Black of the 93rd (Highland) Regiment. He was found guilty and sentenced to death. Despite a petition of 11,000 names for his reprieve, he was hanged at Cardiff on 13 August 1831. His last words on the scaffold were reported to be ‘O Arglwydd, dyma gamwedd’ – ‘O Lord, what injustice’. He is buried in Aberavon. Later in the century another man confessed to the crime for which Lewis had been hanged.

There is also a plaque on the front of the Central Library dedicated to Ursula Masson, who was born Ursula O’Connor in Dowlais, and became a leading Welsh academic and writer who worked closely with Jane Aaron and Honno Press/Gwasg Honno, the Welsh Women’s Press, on the imprint Welsh Women’s Classics – to bring back into print the works of forgotten Welsh women writers of the 19th and 20th centuries.

Outside the Library, the Statue and Plinth to Henry Seymour Berry are Grade II Listed monuments. The statue stands at the centre of a semicircular forecourt in front of the Library, and it was designed by W. Goscombe John RA and erected in 1931. It consists of a bronze figure in full robes with a cocked hat in the crook of his left arm and a parchment grasped in left hand.  The inscription:

Henry Seymour Berry, Baron Buckland of Bwlch, Hon. Freeman of the Co. Borough of Merthyr Tydfil.
Born 1877 – Died 1928.
Erected by public subscription.

There are recent plaques attached to the statue to mark the achievements of his two younger brothers. James Gomer Berry, Viscount Kemsley and William Ewert Berry, Viscount Camrose.

Keeping up with the Joneses: A Family of Merthyr Artists – part 2

by Christopher Parry

Predictably, with the immediate family gone from the town many of the younger children ended up with distant relatives outside of Merthyr Tydfil.

Leonardo ended up as a Grocers Assistant at Holywell, in his father’s native Flintshire. He would then marry and become a Grocer in Birkenhead.

Francis Lawrence Jones all but disappears from the records. A letter held at Cyfarthfa Castle hints that he left for London and painted ‘for the great theatres in London.’ There is a correction on the letter however, indicating that an earlier sentence, referring to Angelo, was actually referring to Francis instead. This sentence states that Angelo went ‘to an uncle in Australia who was an engineer’. This narrative does not match up with other information on Angelo, so it is possible the author of the letter was referring to Francis. A 16-year-old Francis Lawrence Jones, from Merthyr Tydfil, did become part of the Royal Navy and sailed to Australia, eventually settling in New Zealand. While it is not certain, it is possible Francis left for naval service and never returned around 1880. Little is concrete with this family member though. Little is concrete about Rosa and Ernest too, as they all but disappear from records. Which leave the two eldest, Angelo and Raphael.

Raphael followed his father, and became an artist. He displayed work in shop windows throughout the town and became a well-regarded artist in his own right, creating and displaying work frequently around Merthyr Tydfil. An oil painting on display in a High Street shop window gained high praise in 1895, with newspapers stating it ‘reflects great credit on the young and talented artist.’ By 1900, Raphael would go for broke of sorts; he would leave Merthyr Tydfil and head to London to become a painter. He would spend the rest of his life in the Hackney are of London, creating illustrations for various magazines until his death in 1938. The museum at Cyfarthfa Castle holds a fantastic watercolour by Raphael called ‘Mountains and Lake’, painted in 1929. After suffering from ill health Isaac Wilkinson, a former curator at Cyfarthfa Castle, based at the National Museum of Wales, sold some paintings by Raphael to raise funds on his behalf. Cyfarthfa Castle purchased two watercolours in March 1937, one of them being ‘Mountains and Lake.’

William Angelo Jones clearly took a keen interest in his father’s work also. At the Merthyr Drill Hall Eisteddfod in 1875, he won first prize for free hand drawing. He attended the ‘Penydarren Art Classes, Merthyr Tydfil, from their inception, and studied under Mr J Bush, then under Mr G F Harris, artist and portrait painter, and assisted G F Harris for three winters.’ William Angelo would eventually leave Merthyr Tydfil to study art formally in Birmingham where he would also take up an art teacher position. It is unclear exactly when he left Merthyr Tydfil for Birmingham, as he possibly studied there from 1893, but was certainly living between there and Merthyr until at least the early 1900s, as several pieces of art were created by him of the area and in the town in that period. He would donate 12 pen and ink sketches to Cyfarthfa Castle in December 1937, the same year his brother’s artwork was purchased by the museum. These were all sketches intended to be printed as Christmas Cards. The images are full of floral patterns, art deco deigns, Santa Claus, trumpeting angels, turkeys and Christmas puddings, everything associated with the festive period.

Christmas Card – c 1896-97, William Jones, Courtesy of Cyfarthfa Castle Museum & Art Gallery
Christmas Card – c 1903 William Jones, Courtesy of Cyfarthfa Castle Museum & Art Gallery.
Christmas Card – c. unknown, William Jones, Courtesy of Cyfarthfa Castle Museum & Art Gallery

More amazing is how he worked local landscapes into the cards, giving us stunning images of Heolgerrig and other localities around Merthyr Tydfil. These images were created ‘under most difficult adverse circumstances…’ No doubt William Angelo was struggling financially and like many artists before special occasions were an opportunity to raise funds.

On the Graig, Merthyr – c 1901 William Jones, Courtesy of Cyfarthfa Castle Museum & Art Gallery.
Moody’s Pond, Merthyr – c 1901 William Jones, Courtesy of Cyfarthfa Castle Museum & Art Gallery.

When the artist Penry Williams was struggling, he would regularly rely on Valentine’s Day to make ends meet, when he would create cards for sale. Struggling circumstances were what possibly pushed William Angelo to move on from Merthyr Tydfil fully and it is likely he died in Birmingham in 1938.

We often focus on the large-scale industrialists when looking into Merthyr’s past and overlook the many trades and professions the iron industry attracted to the town. Several painters opened studios in the town over the years, without whom, in an era where photography was in its infancy, we would have no visual record of the people and places that make up Merthyr Tydfil.

Keeping up with the Joneses: A Family of Merthyr Artists – part 1

by Christopher Parry

William Edward Jones made himself unique among the portrait painters that have settled in Merthyr Tydfil, because not only was he exceptionally talented, but he also was father to six children, several of which were named after famous renaissance artists, who became artists themselves.

William Edward Jones was born in Newmarket, Flintshire, in 1825. He was the son of James Jones, an Ironmonger, but it is unclear the path William took to become an artist instead of an Ironmonger. What is clear is he was ‘a “born” painter, gifted with an intuitive apprehension of the principles of his art, as well as great capacity for applying them…’ Though it is unknown if he had any formal training as an artist, by the age of 24, he had moved to Wrexham and was working as a portrait artist. He then went to Liverpool and eventually to London. While in London he displayed artwork at the Royal Academy and became a well-regarded portrait painter, but competition there was fierce. A chance meeting with two men that were bound for Merthyr Tydfil made William realise that maybe he could go to this iron metropolis and make a name for himself.

In 1853, he arrived in Merthyr Tydfil and it was not long before he established a portrait painting business on Glebeland Street, Merthyr Tydfil. 18, Glebeland Street would be his residence and studio for the rest of his life.

One of his first notable commissions seems to be of Lord Aberdare, Henry Austin Bruce, in 1853, and from there steady commissions would continue.

Henry Austin Bruce, c 1853, William Jones, Peoples Collection Wales, LLGC

By 1856, William had accepted what would be his most impressive portrait yet, a portrait of John Evans, the Dowlais Works Manager. Evans was retiring and those who admired him at Dowlais decided to commission a portrait. The portrait was unveiled at a Temperance Choir concert in the Dowlais Schools in May 1856. The portrait of Evans is one of only two known portraits painted by William that are still in Merthyr Tydfil. It hangs on the walls of Cyfarthfa Castle and is a huge canvas with astounding details, such as a painting of Dowlais Works on the wall in the background, along with engineering documents strewn across the table in front of John Evans. The portrait is one of two created by William in 1856, the other is a portrait of John Evans brother, Thomas Evans.

John Evans, c 1856, William Jones, Courtesy of Cyfarthfa Castle Museum & Art Gallery

The portrait of Thomas, who was an agent and manager at Dowlais also, was commissioned by those in Dowlais who were saddened by his passing in 1846. This was a problematic commission for William, as he had never seen Thomas and no reference to what he looked like existed. Those who knew Thomas gave William descriptions and the rest was down to the artist’s skill to create a perfect likeness. When the painting was complete ‘no one having formerly known Mr. Evans, can mistake who the painting is intended to represent’. The painting was unveiled in August 1856, and was transferred to the possession of the local council by the early 1900s. The portrait of John fell into the ownership of the council too, eventually being one of two paintings that hung in the council chambers until 1910, the other being a portrait of Henry Richard by William Gillies Gair. The portrait of Thomas Evans is heavily damaged but remains in Merthyr Tydfil.

William would go on to create a painting titled ‘The Last Bard’, which won him awards at the National Eisteddfod in 1859. In 1863, he was commissioned to paint the Mayor of Neath, Evan Evans, which was praised for its ‘fineness of execution and accurate delineation of feature…’ William would even produce pencil drawings, most notably he would capture the chaos of the moment disaster struck in 1874, when runaway carriages collided with a train and destroyed part of Merthyr’s Central Station.

Scene of the terrible accident at the Vale of Neath Station – c 1874, William Jones, Courtesy of Cyfarthfa Castle Museum & Art Gallery.

William was a Freemason and was commissioned frequently to paint other members, which meant he was solidly painting throughout the late 1850s, right until the late 1870s. There is currently no overall known number of how many portraits William created when he was living in Merthyr Tydfil. Many portraits had been commissioned for people outside of the town, for widowers of Freemasons, industrialists that moved on from the town and so on. In the aftermath of William’s death in 1877, there was an auction of work from his studio and one advertisement stated that there were over one hundred pieces for sale.

Merthyr Telegraph – 2 November 1877

The paintings have undoubtedly gone everywhere across Britain and further afield, so they are now incredibly difficult to trace. Dr Fred Holly, in an article appearing in Merthyr Historian: Volume 6 has made the best attempt to collect information on the artwork that survives, but even that list is miniscule compared to the actual art William created in his heyday.

On July 2, 1858, William married Elizabeth Wilkins, daughter of William Wilkins, who lived on Morlais Street, in the Glebeland. William Wilkins was a Hotel Keeper, who managed the Temperance Hotel, which was also in the Glebeland at Merthyr Tydfil. William and Elizabeth would have six children in all. The eldest, William Angelo, named after the famous renaissance artist. Then James Raphael, named after another Italian artist. Francis Lawrence followed, named after Thomas Lawrence, the English portrait painter. The only daughter then followed, Rosa, named after the French artist Rosa Bonheur. Then Leonardo Devinci (spelt with an E not A) Jones; another nod to beloved Italian artists. Finally, Ernest probably named after the French artist Ernest Meissonier.

The 1870s, when many of them were coming of age, must have been a devastating time for the children as Elizabeth died in 1870. Her father William Wilkins moved into 18, Glebeland Street to help William, but he then passed away in 1873. William then, while putting the finishing touches on a portrait, died in 1877.

To be continued……

Exhibition and Book Launch

The Merthyr Tydfil and District Historical Society is please to announce a brand new exhibition to mark its 50th Anniversary – please see details below.

The exhibition will be officially opened at 2.00pm on Tuesday when the Society will also be launching the latest edition of the Merthyr Historian – Volume 32.

Everyone is welcome to come along and join the Merthyr Tydfil and District Historical Society as we celebrate our 50 years of promoting and recording Merthyr’s glorious past.