Doing a John Redwood

by Barrie Jones

At the time I attended Cyfarthfa Grammar School, Roman Catholics were not permitted to attend non-Catholic religious services. Thus, as each morning’s school assembly started with a short bible reading by one of the boys followed by singing hymns, Catholics were exempt from attending and instead we were corralled in Mr Dewi Bowen’s art room, which was just up the corridor from the entrance to the boy’s assembly hall. There we were usually supervised by a school prefect or occasionally by a master, such as Mr Vincent Lee who we discovered was a Roman Catholic.

Mr W Lloyd Williams

Once the school service was over, we were trooped into the hall to join the rest of the boy’s assembled to hear the day’s announcements. On one occasion in my first year our Headmaster Mr Lloyd Williams (Flash) became annoyed when we were singing the school song. He had noticed that many of us first years were not singing the words correctly or even not at all. He ordered that all the new boys should learn the words and that we would be tested on a later day’s assembly.

The school song, Can y Castell (Song of the School), played to the tune of Captain Morgan’s March, with lyrics written by T J Thomas, the school’s chemistry master soon after the school was established was regularly sung at school assemblies from then on. Thomas was chaired bard at the National Eisteddfod at Abergavenny in 1913 for his ode: Aelwyd y Cymro (the Welshman’s home), using the bardic name Sarnicol.

When the day of the test dully arrived, I must confess I had not learned the lyrics as well as I should have. We were lined up before Flash in groups of ten or twelve to recite the song in unison. I managed to survive the ordeal, in part by mouthing the words I did not know or how to pronounce correctly. It reminds me of the way that Sir John Redwood, Secretary of State for Wales (1993-1995), had done when the Welsh National Anthem was sung at the Welsh Conservative Conference in 1993. I was more successful than he, as he was caught out mouthing the words, although I understand that he learned the words after that. Naturally, over time I learned the words of the school song, which was sung with great gusto by us boys over the years.

The District Nurse Always Got There

by Mansell Richards

Prior to the 1960s and the arrival of the mass-produced, affordable motor car, district nurses visited their patients on foot or by bus. These hard- working ladies often walked miles in extremely bad weather,- rain,  hail, snow and gale force winds.

One such lady was Nurse Frances Evans of Muriel Terrace, Caeharris, Dowlais. The mother of two children – David and Dwynwen; she had, sadly, lost an eight year old son, Elwyn to diphtheria in 1938, a child-killing disease of the time.

For several years during the 1950s her once-a-week journey was sometimes unusual to say the least.

Normally, she travelled every Tuesday on the 1.15PM train from Caeharris Railway Station  (located behind the Antelope Hotel on upper Dowlais High Street) to the  isolated, windswept former coal-mining community  of Cwmbargoed some 4 miles away,  the home of her elderly patient, former miner, Mr Horace Morgan. He was a surgical case who needed skilled attention every week. Back in those days the isolated village of Cwmbargoed was situated on the main line from Dowlais to Bedlinog.

THE COLLIERS’ TRAIN

Nurse Evans always referred to this train as ‘The Colliers’ Train’, recalling vivid  memories of her younger days when hundreds of colliers disembarked every afternoon at Caeharris Station from ‘The Cwbs’, (these were old, basic carriages with wooden benches for seats). These colliers were returning to their homes having completed their early morning shifts in the pits at Cwmbargoed, Fochriw and Bedlinog etc. With so many pit closures between the wars however, far fewer colliers by the 1950s were travelling on this route.

Meanwhile after puchasing a ticket at the ticket office (priced 6d each way), Nurse Evans would begin her journey to Cwmbargoed. But with other patients to visit, she would sometimes miss the 1.15pm train, the next train leaving some three hours later. On these occasions she would be given a lift by other means. But no ordinary train this. It consisted of a single steam-driven locomotive and a guard’s van. She would be offered the only seat and would sit uncomfortably, behind the kindly driver and his sweating, grime-faced, coal-shovelling fireman.

Dowlais colliers returning home c. 1930 by Dewi Bowen

JOURNEY’S END

On arrival at Cwmbargoed Nurse Evans would have a ten minute walk to the home of old Mr Morgan. On one occasion she fell into a snow drift and was rescued by a passing workman who heard her cries for help.

All district nurses had large areas to cover and they walked miles every day. In some parts of the country, some may well have adopted the means of transport favoured by a nurse in the modern, 1950s-based television series ‘Call The Midwife’, by making use of a bicycle. However, there is no evidence of local nurses relying on this method of transport.

Needless to say Nurse Evans, who retired in 1962 enjoyed her occasionally unusual  journey inside a hot and noisy  steam  locomotive, across the lonely, windswept moorland above the town of Merthyr Tydfil.

Older folk may recall Nurse Evans, a kind and gentle lady, who was held in great affection by her patients during the 1950s and early 60s.

(This story was taken from an article in the Merthyr Express on 8 March 1958. Meanwhile, I thank Sian Anthony, Dowlais Library Service, Terry Jones, John Richards and the family of the late Dewi Bowen for their valuable assistance).

Dewi Bowen – A Tribute

by Mansell Richards

Earlier this year, on 16 June, Merthyr lost one of its great characters, and a huge champion of the town’s heritage, when Dewi Bowen passed away at the age of 93. Here his friend and former colleague, Mansell Richards pays tribute to the great man.

Dewi Bowen was a legend in his home village of Cefn-Coed, a legend at Cyfarthfa Castle School and a legend across the town of Merthyr Tydfil.

A naturally amusing man, he enjoyed making people laugh, whether passers-by in the street, his school pupils and their teachers – not forgetting headmasters – canteen ladies and caretakers, councillors and mayors. But he will be remembered mainly as a gifted artist and teacher. His imaginative artistic output was prodigious: his illustrations of scenes redolent of Merthyr and district’s rich and colourful history can be counted in their hundreds. It is no exaggeration to say that no individual over the decades contributed more to the heritage of this famous Welsh town.

St Tydfil’s Church by Dewi Bowen

Dewi was born on 7 August 1927 at number 87, High Street, Cefn-Coed-y-Cymmer (he loved to give his village its full title). From an early age he showed artistic talent which was nurtured at his beloved Vaynor and Penderyn Grammar School. In 1944 on leaving school at seventeen, he was directed to work as a coal miner for 2 years as part of the national war effort against Hitler’s Germany. This meant he had to postpone entry to art college. Dewi took pride in his years as a ‘Bevin boy’ at Elliot Colliery, New Tredegar and the Rock Colliery, Glynneath.

Indeed his memories of being a young miner never left him. Many of his detailed illustrations were based on his observations of those hard- working men who risked their lives daily in often dangerous conditions.

Similarly, he identified strongly with the soldier in both World Wars, but especially during the First World War.  He never tired of telling of his father’s experience at Gallipoli and Mesopotamia, while his mother served as a nurse in both those wars. This strong affinity with the soldier never left him. Thus in later years, he joined a British Legion excursion to Flanders in order to be present at the unveiling of a sculptured red dragon monument at the site of the Battle of Mametz Wood, where thousands of Welshmen had been killed in 1916.

Dewi never refused work for charities. His cleverly designed, eye-catching posters, advertising fund-raising events appeared at local shops, pubs and libraries. Indeed, he and his scholarly brother Dr Elwyn Bowen MBE, to whom he was devoted, made a massive contribution toward necessary funding, estimated at tens of thousands of pounds, when the Urdd National Eisteddfod visited Merthyr in 1987.

The programme from Cyfarthfa High School’s 1982 production of Christmas Carol designed by Dewi Bowen

Dewi rejoiced also in designing the scenery for the Cefn-Coed Operatic Society which flourished during the 1950s and, contributed greatly in this respect to the annual stage musicals and concerts performed by pupils and staff of Cyfarthfa High School, a school he served loyally for 30 years.

Continuing along the cultural path, his work was regularly exhibited at the National Eisteddfod of Wales, while he contributed to many heritage projects across Merthyr and other districts of South Wales.

He took a particular interest in the preservation of the Joseph Parry Birthplace Project which won the Prince of Wales award. He played a pivotal role in this success for his school. The visitor to 4, Chapel Row, Georgetown will see a beautifully inscribed stone plaque alongside its front door. Not only did Dewi purchase the block of dressed-stone out of his own pocket, but he lovingly carved the inscription,  including the evocative words, ‘Joseph Parry, y bachgen bach o Ferthyr, erioed, erioed- Joseph Parry, a little boy from Merthyr , forever, forever’.  This carved tablet will remain a monument to the creative talent of Dewi Bowen.

His final contribution to the Merthyr cultural scene was to provide the superb illustrations for a book on Merthyr place-names, compiled by Malcolm Llewelyn. Dewi was delighted to be invited as a guest to the book’s launch last year.

But let us return to his never-to-be-forgotten humour, which appealed to people of all ages. At Cyfarthfa School, some pupils with only limited talent were known to have opted for art, mostly for the pleasure of being taught by him. Several brought him regular small gifts of sweets, while one girl, aware of his liking for wimberry tart, presented him with one every autumn. He was, undoubtedly, one of Cyfarthfa School’s most popular teachers.

One story he liked to tell concerned a friendship he had at Cardiff College of Art with the beautiful future actress Anna Kashfi, who was later to marry the Hollywood star, Marlon Brando. When teased about this, Dewi replied ‘I never understood how she preferred Brando to Bowen!’

Dewi never owned a car, preferring to walk almost everywhere. He particularly loved walking holidays during his earlier years. He visited the Holy Land and parts of Russia. When asked why he loved walking so much, he replied. ‘If you’ve spent 3 days in an ancient bus crossing the Negev Desert in the company of 2 Arabs and 50 sheep, you too, would enjoy walking’.

On another occasion he accompanied a friend to see a Wales/England rugby match at Twickenham. With Wales snatching victory towards the end, Dewi insisted on joining the triumphant Welsh supporters on the famous pitch. He astonished his friend by asking for help in order to ascend one of the very high rugby posts. After climbing unsteadily onto his friend’s shoulders, they were both confronted by a London policeman, who turned to the friend with the instruction ‘put the gentleman down please sir’.  Some yards away a group of Cyfarthfa sixth-formers were holding their sides with laughter.

Cyfarthfa Castle by Dewi Bowen

Dewi loved music, especially light opera. He was a regular visitor to Cardiff theatres to enjoy Gilbert and Sullivan productions. He loved singing some of the songs in his distinctive sweet tenor voice, often when talking to friends on the telephone. Dewi would entertain at the drop of a hat.

But his greatest love was his family. He nursed his mother who lived to be a hundred during her final years, while his admiration for his brother Elwyn was profound. He received considerable love and support from his exceptionally loyal nieces, Ann and Elizabeth and sister-in-law Gwynfa, while he gained much joy from his young great nephews, Ewan and Llyr.

There can be no better epitaph to Dewi than in Shakespeare’s words:-

‘We shall not live to see his like again’.