While in conversation with a fellow Dowlais choir chorister Richard Cole, we began to reminisce about our time together in the Merthyr Tydfil Brass Band. Next choir rehearsal Richard brought along a photograph of the band in the 60’s, between both of us we managed to piece together all but one of the band’s assemblages.
About 1965 members of the Georgetown and Gellifaelog School Brass Bands combined to form the Merthyr Tydfil Brass Band under the directorship of Mr Elwyn Farrell. Mr Farrell was a teacher of mathematics at Georgetown School and an accomplished cornet player, whose family had strong ties with the local Salvation Army corps.
The band membership increased quickly with other players who had originally joined the brass bands before their transfer to Quakers Yard Technical School in Treharris.
Despite the band’s formation Georgetown and Gellifaelog school bands still retained their own identity in assisting their school assemblies’ accompaniment of school hymns, with Mr Farrell taking up the baton for Georgetown School Band while Mr Richard Pendry conducting the Gellifaelog School Band.
To help young instrumentalists the band membership were grateful to older players who gave their time to help nurture young brass band musicians.
Most of the rehearsals were held at the old YMCA sports room located on the upper level of the YMCA. In the short history of the brass band, they appeared at local charity events including the Christmas tree ceremony outside the town hall. The Brass Band entered a number of competitions such as the Park and Dare Hall in Treorchy, and the Brangwyn Hall in Swansea.
I believe the Merthyr Tydfil Brass Band finished about 1968, when the older band members of school leaving age left their schools, with fewer school pupils pursuing an interest in their school Brass Bands and the Youth band, the numbers dwindled leaving no option but for the band conductor Mr Farrell to disband the musical organisation. After Mr Farrell’s retirement from the teaching profession, he moved to Libanus, Brecon then moved to Sweden where he died.
Back row (l-r): Ivor Roberts, Ernie Lanchesbury, Gareth Oates, Derek Williams, Joyce Rubery, Michael Rees, Martin Carey, Alvin Head, Cyril Williams, Richard Owens
Middle row (l-r): Richard Cole, Alan Evans, Carl Llewellyn, Maldwyn Williams, John Lenard, Peter Lozano, Michael Baldwin, Ieuan Harris
Front row (l-r): Anthony Williams, Gail Bartlett, Dayton Griffiths, Elva Thomas, Gwyn James, Elwyn Farrell (conductor), Raymond Hancock, Jane Thomas, Philip Kinsey, Allan Davies, Philip Fly
On this day in 1896, an extraordinary event occurred in the ‘urban district’ of Merthyr Tydfil: The County Intermediate and Technical School opened for work. Parliament had not yet recognised Merthyr as a proper ‘town’ but it had recognised the need for Welsh boys and girls to further their school studies until the age of eighteen and even to set their sights on a university education, if desired. These were children of working-class and small businessmen parents who could not afford the luxury of private or public- school tuition for their offspring. The school opened without ceremony but in a formal gathering in January 1897 Professor Villiamu Jones, Principal of University College, Cardiff, ended his inaugural speech, hoping that many Merthyr pupils would pass into that college in the future. Over seven decades a fair number did just that.
The curriculum planned for the new secondary stage -‘county intermediate’ schools – in deprived, industrial areas of Wales was based on that of older grammar and public schools. They soon became known as county ‘grammar’ schools. Merthyr’s school was equipped to take in 100 boys and 80 girls who would pay a small fee. The knowledge of its young people broadened and their quality of life improved. Sadly, many children were not touched by this new venture and still left school at twelve, or earlier, usually because they had to, in order to earn a pittance – often down the mines – to boost the family income. The luckier ones, among whom were budding scholars, knew that a place in the school was a gift; some began to cherish ambitions of going to the new university colleges at Aberystwyth or Cardiff. Parents usually supported those youngsters even though it would mean seeing them leave home eventually – and possibly forever. Attendance numbers fluctuated but most pupils accepted that the new system of extra years and important exams would bring rewards.
Photo courtesy of the Alan George archive.
J.O. (John Oswald) Francis entered the school, at the age of fourteen, on the day it opened. He lived above his father’s farrier shop in 41, High Street, opposite the Baptist Chapel. He excelled at his studies and became a distinguished London dramatist, public speaker and broadcaster. When he left Merthyr at the age of eighteen his memories of the lively town stayed with him and inspired him to write plays and stories for nearly half a century. This is what he told wireless (radio!) listeners about the school in a B.B.C broadcast in the 1950s:
From St David’s School I went to the Higher Gradeschool in Caedraw. For boys whose parents did not send them away to school-and very few parents in Merthyr sent their children away for education- the Higher Grade was the limit the town offered us and it could not offer us much because it wasn’t linked to a university. For a boy who wanted to go on learning, Merthyr was a blind alley, a dead end. Then a rumour came flying about amongst us boys- flying for some of us like a bird with bright wings- a new kind of school was to be opened in Merthyr – a County Intermediate School that would provide secondary education up to quite a high level. And what a blessing the school was to Merthyr! What a blessing it was to me! I was young enough – and only just young enough – to take advantage of the new system. Had I been a year or two older I should have had to stay outside that learned paradise, looking rather hungrily at the gates that were closed against me. I was only a slip of a lad but I had enough sense to see what had happened. Merthyr was no longer a dead end. Merthyr was opportunity. I went for the opportunity with eager hands. At the end of my time at the County School I passed the Central Welsh Board’s examination and -manna from heaven! – I was awarded a County Exhibition of forty pounds a year. That was quite a big sum in those years and it eased my way to Aberystwyth to study for a university degree.
Fifty years on, as Francis made his way up to the school, during a visit to Merthyr, he mused on the opportunities his education had brought him:
I am one of those lucky people…I realised more clearly than ever how much I owed to the school… I made bold to go in. I found the headmaster, Dr Lewis, who received me with great kindness. We talked together and he went off and came back with a big, brown, covered book. ‘This book is a permanent register of pupils who have been at the school’, he said. ‘I’ll show you your name.’ He opened the book and my name, written in full, was on the first page That got me all warmed up with sentiment… Then Dr Lewis took me to see the Honours Board on which were set out the names of pupils, who had won academic distinction. And there in the glory of gilt lettering, was a record of my having taken a B.A. degree-a degree I went off to work for in Aberystwyth fifty-five years ago.
Francis also hints in one of his stories that he was aware that although some pupils enjoyed the new subjects like Latin and French, they didn’t stay on, having been persuaded by proud collier fathers that their future was in coal-mining.
Others reminisce on past times at the school, now demolished, but of blessed memory:
Ceinwen Jones (now Statter), writes: I went to The County from Penydarren School in 1954. After the Easter holiday the whirlwind that was Glynne Jones arrived to teach us music. He changed my life! He set up a choir when about half the school came back (out of uniform) on Friday evenings. We went on to sing works like The Messiah. Thanks to some excellent teaching I went to Cardiff University to study French and Italian and then trained as a journalist on the Western Mail and Echo. Although being away in Reading for over forty years I have never been out of touch with friends like Sandra Williams, Merryl Robbins, Helen O’Connor and the sadly missed Valerie Baker and Byron Jones.
County School Choir. Photo courtesy of Ceinwen Statter
Ian Hopkins, a former Head Boy (1959-1960), also went on to Cardiff – to take a B.Sc. degree. He returned to Merthyr for long service in teaching and in choral activities: I entered the County Grammar School in 1953 and spent seven happy years there. Two of the teachers – without belittling the others – had a profound effect on my life, viz Elwyn Thomas (Head of Maths) and the inimitable Glynne Jones. The school choir was more than merely a musical organisation: Friday evening 6.00 pm rehearsal was the focal point of the social life of the school. Glynne engendered in me, and in many of the others, a love of choral music that has endured. In the heyday of the Dowlais Male Choir a disproportionate number of members had sung in Glynne’s school choirs.
The school had a three-form entry, one Boys, one Girls and one Mixed. Segregation of the sexes was strict with a boys’ corridor and a girls’ corridor. My memories include playing fives – the fives courts were unique for schools in our area- playing rugby for the school teams and football in the school yard.
One story: when I was in Form 2 there was a heavy fall of snow and a number of us were throwing snowballs in the classroom. Mr Thomas came in and demanded to know who was responsible. Some confessed and were given detention. Others, including me, did not- the fear of Elwyn was the beginning of wisdom! Later that afternoon, I encountered him in town and confessed and asked that my name be added to the detention list. But when the list was called out later in the week, not one of the miscreants was on it. From then on, Elwyn Thomas could do no wrong in my eyes. Perhaps that’s why I became a Maths teacher!
Many others who followed similar or different paths as adults will, no doubt, have lasting memories of ‘The County’.
The school was closed and demolished in the 1970s and the site acquired for new housing. Regrettably, and shameful to report, few records of its existence and of its countless pupils remain. It has been said that ‘even the revered Honours Board ended up on a skip’- evidently unwanted in the new replacement ‘comprehensive’ school at the top of town, part of the most recent parliamentary plan for secondary education.
Nevertheless, some facts and figures survive in an old almanack, published by the Merthyr Express at the end of 1896.It contains an invaluable review of the development of education in Merthyr from the 1840s; this ends with the then most recent step in that development – The County Intermediate School and an insight into the local efforts that were made to achieve it. It was written by Mr E. Stephens, Clerk of the Board of Education in Merthyr Tydfil. The subject of improved secondary schooling for pupils up to the age of eighteen, had been discussed over decades in Parliament, where it was championed by Henry Austin Bruce, MP for Merthyr Tydfil, (future Lord Aberdare) and at the Glamorgan County Education Department in Cardiff. A new century was nigh before it materialised:
The question of Welsh Intermediate Education excited as deep an interest at Merthyr as it did in other parts of Wales and no time was lost in taking measures to secure the boon conferred by the Act of Parliament (i.e. The Welsh Intermediate Education Act of 1889) for the creation of these schools. On the 18th of November that year, a conference was held at the Board Room of the Workhouse, over which Mr W. Morgan JP, then High Constable, presided. It was decided to ask the County Committee to make Merthyr a centre for one of the schools- to accommodate 100 boys and 80 girls… After much negotiation a site embracing two acres of freehold land was finally secured in the Clock Field at Penydarren for £1200, Colonel Morgan, the owner, contributing £300 out of the amount for the building fund. A public meeting, in aid of the scheme was held at the Temperance Hall on March 20th 1891, Lord Aberdare presiding. A premium of £25 was offered for the successful plan, but the one chosen, by a Mr Crombie of London, proved to be far too expensive. The committee then obtained a second competition, on the basis of £25 per head. The plan of Mr E. Lingen Barker of Hereford was selected. The tender of Mr J. Williams of Swansea was accepted for the erection of the schools, but before the buildings were completed and opened for scholars the planned cost had run up to £6,198 3s 2d of which the architect received £464 14s 6d; the clerk of works £128 6s and the contractors the balance. Of this account £1,557 2s was raised by local subscriptions and the county fund provided the rest. (The fifty donors and the amounts donated are listed).
Alderman Thomas Williams JP is the chairman of the local governing body and the following comprise the teaching staff of the schools. Headmaster, Mr Charles Owen M.A. salary £100 a year with a capitation of £2 per year on each boy; first assistant master Mr W.H. Topham M.A., salary £160; second assistant master, Mr A.J. Perman M.A., salary £130; first mistress, Miss Edith Heppel who won a B.A. degree at Oxford but did not receive it as that university does not confer degrees upon women, salary £180 a year; second mistress, Miss Kate Thomas, salary £100 a year. The schools were opened for work on October 12th 1896, but a ceremonial opening is to take place on January 11th, 1897.
The school (i.e. pupils, staff and buildings) established itself in the Clock Field just before the start of the 20th century, in the soon-to-be-incorporated ‘town’ of Merthyr Tydfil.
Photo courtesy of the Alan George Archive
Mary Owen.
Who attended the former Port Talbot County Intermediate School (1945- 52)
With thanks to Betty Harrington for the gift of the almanack, and to Ceinwen Statter, Ian Hopkins and the late J.O. Francis for the memories.
Ninety-five years ago today, on 4 July 1926, General Marden unveiled the Pant War Memorial, with about 1,300 people in attendance and with loud speakers and microphones were in place for the event. Pant was the second village in the area to erect a memorial to the men killed in the First World War.
The Memorial Committee was inaugurated in 1920; house-to-house collections were organised and many promises of weekly contributions were made, but due to the coal strike of 1921, and the trade depression that followed, the final cost of £800 was not quite met. The local inhabitants had paid the bulk of the money, and the school-children contributed largely through the many concerts organised by the staff. Also mentioned for their donations were: Merthyr Football Club, the directors of the Victoria Cinema and the Oddfellows Hall (where the concerts were held).
Mr F. J. Bateson released the ground he had rented from Messrs Guest, Keen and Nettlefold, enabling them to give the ground, previously owned by Daniel Thomas, stonemason, for the memorial. Before the memorial could be erected, the urinal built in 1906 had to be moved to the other side of Caeracca Bridge.
The Memorial is built mainly of Portland stone, with the side wing walls and steps leading to the cenotaph of local limestone. The bronze plate centrepiece reveals the names of local men who were killed during the conflict.
Designed by Mr C. H. C. Holder, a curator at Cyfarthfa Museum, the sculpture is a monument to the skill of Councillor F. J. Bateson from Pant and his assistants. The Mayor, Alderman D. Davies J. P., another Pant resident, accepted the deed as a gift from Mr S. J. Lloyd, Secretary of the Memorial Committee. The mayor had actually lost his son in the War, and his name is commemorated on the plaque.
General Marden, in his response, thanked the Dowlais Male Voice Party for “the most wonderful singing he had ever heard”. The march to Pant was led by the Municipal Band and the G.K.N. Dowlais Silver Band.
A second plaque was added to the memorial to honour the men of the village who died during the Second World War.
Photo courtesy of the Alan George Archive
To the left hand side of the main memorial is another plaque honouring the men who had been employed at the I.C.I. Factory at Dowlais who died in the Second World War. These were:
John Alistair Owen, was a local man who was born in Tramroadside North, Merthyr Tydfil in 1936. There are pictures of him as a child taking part in a concert to raise money for the Merthyr Express ‘Spitfire Fund’.
The Tramroadside North children raising money for the Spitfire fund. John Owen is second from left in front row.
He attended the Quaker’s Yard Technical School and went on to an engineering apprenticeship in Walsall. Following a short period in England, he returned home and joined the former GKN Works (Ivor Works) in Dowlais as a design draughtsman in 1958 and remained there through the BSC years until closure in 1988. Although his high powered job took him to India, the USA and other countries, he was always anxious to return to his family and to Dowlais. He was devoted to his career and to the Dowlais Works. He fought hard to keep the Dowlais Works open but finally had to negotiate its closure; although he was proud of the fact that Dowlais always successfully made a profit throughout its long history.
From his school days, he developed a keen interest in old photographs. In the Dowlais drawing office surrounded by the records of the Dowlais Works, he came to develop a keen interest in its history. When his book ‘A Short History of the Dowlais Iron Works’ was first printed in 1973 Dowlais was still exporting iron all over the world. John Owen was co-founder of the Merthyr Tydfil Historical Society and active supporters of the Heritage Trust and the Dowlais Male Voice Choir. He became the authority on the history of the Dowlais Works and the community which grew up around it.
John Owen in 1974. Photo courtesy of the Alan George Archive.
He built up a large personal collection of photographs on Dowlais; gathering together pictures loaned by local people and also the private collection of the Works and engineering institutes. He produced a number of picture books, these included ‘Dowlais Works and Town’, and four popular books of local pictures published by the Merthyr Tydfil Historical Society. A number of exhibitions in Dowlais Library, containing around 300 photographs each, were financed from his own pocket and these pictures are now all held by the library. He felt that the Dowlais Works had been good to him and so he wanted to give something back to the people of Dowlais, showing them how their ancestors lived and how the environment had changed over the centuries.
When he started giving illustrated slide lectures in Dowlais Library, organised by the librarian David Watkins, there was always a full capacity audience with hardly ever even standing room at the back. Due to their popularity, these talks were extended to numerous locations and continued throughout his life. History and local photographs were his main interests but John still found the time to apply his business acumen in assisting the Merthyr Tydfil Institute for the Blind on a voluntary basis and, after joining the Board in 1991, he became its vice-chairman.
He was a good friend to Merthyr Tydfil Libraries, providing support and advice. John A. Owen, the last works manager of BSC Dowlais, was a keen rugby fan and he sadly died in 1998; only ten minutes into the International between Wales and Ireland in Dublin. He has been greatly missed but he left a large legacy of Dowlais photographs behind him which the late Alan George, with the blessing of John’s widow, Mair, made digital copies of future generations to enjoy and study.
Mildred Lewis, known as the ‘Welsh Nightingale’ due to her beautiful soprano voice, was born in 1911 in White Street, Dowlais. Her voice was trained to perfection under the tuition of the well-known musician W. J. Watkins, and his advice helped form her singing career.
Her father, a miner in Fochriw, sang with the Dowlais Male Voice Choir, and both her mother and brother, Gilbert, were gifted singers. Living in this environment, she was taught to read music as a child, but Mildred had little formal schooling due to contracting Tubercular Hip at the age of five. She walked with the aid of sticks for the rest of her life, but it never stopped her singing at the ‘Penny Readings’ or the Eisteddfodau.
Whilst competing at the City Hall, Cardiff, she was heard by Mae Jones, Head of Variety at the BBC, and was invited to sing for them, performing on a regular basis for many years, at one time singing with Kathleen Ferrier. She also won the National Eisteddfod in 1938.
Mildred married steel worker Gwynne Lewis in 1935. Many musical evenings were held at her home at Francis Terrace, Pant, when many friends joined her, and the late Glynne Jones, Musical Director of the Pendyrus Male Choir would often accompany their singing.
As a member of E.N.S.A. (Entertainments National Service Association), she travelled around Britain during the Second World War, helping boost the morale of the troops. After the war, she took a job at Teddington’s Factory, and following the death of her husband in 1958, she lived alone for two years until her niece, Dyfanwen, moved in with her following the early death of her parents.
Mildred spent her later years at Ty Bryn Sion, and, when well enough, continued to sing at local chapels. She passed away in August 1993.
On Thursday 27 July 2017, Elisabeth Parry passed away peacefully at her home in Wanborough, Surrey. She was 96 years old.
Elisabeth Parry
Mhari Elisabeth Forbes Parry was born in Aberdeen, Scotland on 9 September 1921, the great-granddaughter of Dr Joseph Parry. Educated privately at Eversley School, she passed the Oxford Board School Certificate with six credits in 1937, as well as the Associated Board Advanced Grade Piano and Intermediate Grade Singing. Elisabeth was offered a place at Oxford to study French and German in 1939, but refused this on the outbreak of war to join the Red Cross as an Ambulance driver.
She continued to study singing privately in London with Mark Raphael and the World famous tenor Dino Borgioli. She became a soloist with the Red Cross Staff Band and the Royal Army Medical Corps between 1940-1945, and toured extensively with them in Britain and the Middle East. Broadcasting frequently at home and abroad, she became a ‘Forces Sweetheart’ in 1944. She also gave many recitals for the Council for Encouragement of Music and the Arts, later the Arts Council, and sang in many concerts and oratorios.
Following the end of the war, she set up and ran the Wigmore Hall Lunch Hour Concerts in London from 1947-1949, and in 1947 joined the English Opera Group, making her operatic debut at Glyndebourne as Lucia in Benjamin Britten’s ‘Rape of Lucretia’. Awarded an Italian Government Scholarship to study at the Accadamia Chigiana in Siena with Giorgio Favaretto in 1951, she continued to study there and in Rome. She gave two recitals in Genoa and broadcast from France, Switzerland, and Belgium.
She went on to start the Opera Players, together with Phyllis Thorold, in 1950, and sang in hundreds of performances with them, and was Managing Director of the Company (now the London Opera Players) until 2001.
Elisabeth Parry, being one of the principal trustees of Parry Trust Fund, presented the residue of the Parry Trust capital into the capable hands of the Welsh National Opera Company. In February 2009 the WNO’s new production of Mozart’s The Marriage of Figaro was funded partially by money from the Parry Trust, and enabled a rising baritone, David Soar, to make his debut as a principal in the role of Figaro. An annual bursary in the name of the Parry family was finally set up in 2010 to help gifted young singers.
As well as her musical activities Elisabeth took up climbing and colour photography in 1960, and gave illustrated travel talks all over the British Isles. Elisabeth was a Member of the Alpine Club, Association of British Members of the Swiss Alpine Club and Fellow of the Royal Geographical Society. She has translated a Rossini Opera, which has been broadcast and televised, and contributed articles to ‘She’, ‘Sphere’ and ‘Tatler’ magazines, as well as a number of mountaineering publications.
In 2011 she published her memoirs in a book entitled ‘Thirty Men and a Girl’.
Elisabeth’s association with Merthyr Tydfil began after Cyfarthfa High School won the Prince of Wales Trust Award in 1977. Preparations were made between the Merthyr Tydfil Council and the Prince of Wales Trust to mark the occasion by officially opening No 4 Chapel Row, Georgetown as the Dr Joseph Parry Cottage museum. The event took place on Friday 22 September 1978 when the Cottage was opened in the presence of the Mayor of Merthyr Tydfil, Mrs Mary John, and special guest Elisabeth Parry. Dr Joseph Parry’s grand-daughter Barbara Parry was originally invited to open the cottage but was unable to attend, so Elisabeth was invited in her place. The Dowlais Male choir was in attendance and sang Joseph Parry’s most famous composition, “Myfanwy”.
On 28 July 2002, to mark the centenary of the death of Dr Joseph Parry, an open air concert was arranged at Cyfarthfa Park. The guest soloists were Timothy Richards (Tenor), Rebecca Evans (Soprano), and Jason Howard (Baritone); accompanied by two male voice choirs, Dowlais and Pendyrus, and the National Chamber Orchestra of Wales, under the baton of Alwyn Humphreys MBE, conductor of Morriston Orpheus Choir. Again Elisabeth Parry, accompanied by her niece Rosemary Skipper, was invited to be a special guest at her great grandfather’s commemorative concert, and was later invited to the Mayor’s parlour by the Mayor of Merthyr Tydfil, Alan Davies.
Dr Joseph Parry
Elisabeth Parry is last family link with Dr Joseph Parry, and it’s good to know she was proud of her family’s association with Merthyr’s musical heritage. Elisabeth kept up her ties with Merthyr to the end of her life, through the friendship that was forged between her and Mansell & Dwynwen Richards, and Carl Llewellyn.
If you would like to read more, Merthyr Historian Volume 16 is dedicated to articles about Joseph Parry and his family.
Carl Llewellyn continues his tribute to Glynne Jones with an account of the concert held his memory:
On the 11 May 2002, at Beulah English Baptist Chapel, Dowlais, the Dowlais Male Choir organized a memorial concert to Glynne Jones, with sponsorship by the Arts, Culture and Tourism section of the Merthyr Tydfil County Borough Council, with all concert proceeds going to the Pendyrus Trust Fund.
The concert began with an introduction by the Dowlais Choir’s chairman Grahame Clarke, who then introduced the evening’s compère – the late Janice Rowlands, wife of Ted Rowlands, MP; a lady with great talent and charisma, who enlightened the audience with her charm and repartee. She gave a descriptive account of the artists and their musical items. The Dowlais Male Choir sang a number of items including the Easter Hymn from Mascagni’s Cavalleria Rusticana with Zoe Perman singing the solo part.
There were two groups of children taking part; first the Gwenllwyn School Choir followed by Ysgol Santes Tudful Recitation Party. Both groups entertained the audience with their songs and recitations. It was interesting hearing Ysgol Santes Tudful perform the story of Branwen taken from the Mabinogion. The violinist Paul Horner and the cellist Ciaran Jenkins also performed – they were associated with Glynne, who’d recognized their musical talent.
Janice Rowlands made reference to the children’s message sent on 18 May, known as Good Will Day, when BBC Wales transmitted a message of peace and hope to children of all countries around the world in 12 languages. It was a joy to hear the 2002 message spoken in Welsh and English.
The chairman of Pendyrus Male Choir, Creighton Lewis gave a tribute to Glynne on behalf of Pendyrus Male Choir, and he explained how the Pendyrus Trust Fund would help young musicians – it was decided set up a conductor scholarship, for musicians who wanted to pursue a musical career in conducting and it was an interesting sight seeing a model of Glynne Jones with his baton fabricated out of music paper, the paper image being made by the children of Ysgol Santes Tudful.
It gave Janice Rowlands great pleasure to introduce Dr Terry James, for Dr James comes from Kidwelly – the Janice’s hometown, who reminded the audience that the mother of Wales’ greatest composer Dr Joseph Parry also came from Kidwelly. Dr James is a wonderful raconteur, and with his manner and humorous antidotes he began relating about his personal connection with Glynne Jones.
Dr James began by reflecting that in his memories of Glynne Jones the letter “C” kept coming to mind, mentioning the character, the charisma, and the caring nature of Glynne, giving an account of his reasons for using the letter “C”. Glynne could be flamboyant and an entertaining character, he was man of presence someone who could not be missed, with a passion for projecting the musical talent of young prodigies.
When Dr James returned after living in the USA for 15 years, he met Glynne who commented, “What has happened to your ginger hair locks? With your white beard and thin white hair you look like a prophet after he’d been in the wilderness”.
At one Eisteddfod where Pendyrus Male Choir competed, Dr Terry James was the adjudicator. He was so impressed with the performance he gave Pendyrus the first prize and made some glowing comments about the performance. The following week Dr James received a card through the post card that read “I totally agree with all your comments, Glynne”. Lastly, he related a story about when Pendyrus organized an Australian tour. There are about 100 to sheep to each person in Australia, and when Glynne addressed one of the concert audiences, he referred to the sheep saying that they reminded him that you can beat bit of Welsh Lamb.
It was an added bonus for the choir and congregation when Dr James conducted one of the communal hymns, and accompanied the last hymn on the organ. The Musical Director of Dowlais Choir, Gareth Ellis was not able to be present at the concert, but the baton was in the capable hand of the deputy conductor, Stewart Roberts, who was ably assisted by David Last. The honoured guests were Mrs. Margaret Evans and Mrs. Margaret (Peg) Maliphant sister and cousin of Glynne Jones; Ted Rowlands and Dr Terry James. The present conductor of Pendyrus, John Samuel and his wife Olive were also present – ‘John Sam’ having the benefit of conducting both choirs.
The concert was a fitting tribute to a local musician who had become a notable figure in the Welsh musical world.
Following on from his post on D T Davies, Carl Llewellyn has posted a tribute to another of Merthyr’s musical legends – Glynne Jones
Gofio un o Feibion Enwog Dowlais by Carl Llewellyn
I would like to pay a small tribute to Glynne Jones a local character and a well-known musician through out the principality and beyond.
Glynne Jones was born on 7 November 1927 at No 3, Glendower Street, Dowlais, the home of his grandparents David & Margaret Jones, who originally kept a small shop on Pant Road near to the La Bodega restaurant, but known to locals as the Slipper. Glynne was the eldest son of David and Annie May Jones, and was brought up with his younger brother Degwel, and sister Margaret.
The Jones family were staunch members of Moriah Welsh Baptist Chapel, that once stood in Mount Pleasant Street, Dowlais. Sadly like most chapels the building is no more. Glynne’s religious background was nurtured at home with his father and an uncle, both deacons in Moriah Chapel. With Glynne’s musical talent it was no surprise when he became the chapel organist, a post he held from 1940 until 1963.
Educated at Cyfarthfa Castle Grammar School later becoming a graduate of the University College Cardiff, after his national service days, he became music master at the Old County Grammar School, where he formed a children’s choir to sing Handel’s Messiah. Glynne conducted the Merthyr Philharmonic Choir 1955-1961. Following early success with the Merthyr Philharmonic Choir and the Silurian Singers he became the Musical Director of Pendyrus Male Choir in 1962.
He was appointed Musical Adviser for Monmouthshire in 1965 and became Senior Music Adviser for Gwent from 1973 to 1990. Among his many achievements can be listed: prestigious conducting engagements on three continents; numerous radio and television broadcasts in Welsh and English; the musical direction of the BBC film “Off to Philadelphia in the Morning” in 1978, and the establishment of the Newport International Piano Competition.
In 1980 Merthyr Tydfil celebrated the 1500th anniversary of the death of its patron, Saint Tydfil the Martyr. A combined concert with Dowlais, Cefn-Coed, Treharris and Ynysowen Choirs was arranged at the Rhydycar Leisure Center on 5 October. with Glynne Jones being invited as the guest conductor. The guest artists at the concert were Stuart Burrows, tenor; Beti Jones, soprano and Huw Tregelles Williams at the organ.
Glynne’s lifelong commitment to Welsh music in education and the community was recognized by a Fellowship of the Welsh College of Music and Drama in 1994, and the award of the MBE in 1996.
Sadly Glynne died unexpectedly on Christmas Day 2000. In Glynne’s lifetime S4C produced a documentary on his musical background, as a mark of respect it was shown again after his death.
Please check back soon for Carl Llewellyn’s account of Glynne Jones’ memorial service
From St David’s School I went to the Higher Gradeschool in Caedraw. For boys whose parents did not send them away to school-and very few parents in Merthyr sent their children away for education- the Higher Grade was the limit the town offered us and it could not offer us much because it wasn’t linked to a university. For a boy who wanted to go on learning, Merthyr was a blind alley, a dead end. Then a rumour came flying about amongst us boys- flying for some of us like a bird with bright wings- a new kind of school was to be opened in Merthyr – a County Intermediate School that would provide secondary education up to quite a high level. And what a blessing the school was to Merthyr! What a blessing it was to me! I was young enough – and only just young enough – to take advantage of the new system. Had I been a year or two older I should have had to stay outside that learned paradise, looking rather hungrily at the gates that were closed against me. I was only a slip of a lad but I had enough sense to see what had happened. Merthyr was no longer a dead end. Merthyr was opportunity. I went for the opportunity with eager hands. At the end of my time at the County School I passed the Central Welsh Board’s examination and -manna from heaven! – I was awarded a County Exhibition of forty pounds a year. That was quite a big sum in those years and it eased my way to Aberystwyth to study for a university degree.
Mildred Lewis, known as the ‘Welsh Nightingale’ due to her beautiful soprano voice, was born in 1911 in White Street, Dowlais. Her voice was trained to perfection under the tuition of the well-known musician W. J. Watkins, and his advice helped form her singing career.
