National Eisteddfod – The Melting Pot

Merthyr’s Historians: Charles Wilkins

Over the years, Merthyr has produced some excellent historians, and I would like to introduce a new feature celebrating some of them. To mark the 110th anniversary of his death, we kick off with Merthyr’s first ‘official’ historian – Charles Wilkins.

Charles Wilkins was born on 16 August 1830 in Stonehouse, Gloucestershire, the second of nine children of William Wilkins, a Chartist bookseller, and Anna Maria Wilkins. In 1840 the family moved to Merthyr, with William Wilkins opening a shop on the High Street (opposite the current Lloyd’s Bank), and eventually becoming postmaster at the post office adjoining his business. At the age of fourteen, Charles left school to work with his father as a clerk at the post office.

In 1859, Charles married Lydia Jeans and they settled at Springfield Villa in Thomastown. The (by contemporary accounts) idyllic marriage was shattered in 1867 when Lydia died giving birth to their third child.

The following year, Charles married Mary Skipp in Topsley, Herefordshire, and she would bear him two further children.

In 1871, William Wilkins died, and Charles took over as postmaster.

From 1846 to 1866 he was also librarian of the Merthyr Tydfil Subscription Library of which Thomas Stephens was secretary.

From the age of fourteen, Charles began writing articles for local and national Welsh newspapers, and in 1867, he published ‘The History of Merthyr Tydfil’, the first ‘official history of the town. It was subsequently extended and re-published in 1908.

As well as writing some fiction, he also wrote several other major historical works including:-

Wales, Past and Present (1870) (The History of Wales for Englishmen)
Tales and Sketches of Wales (1879, 1880)
The History of the Literature of Wales from 1300 to 1650 (1884)
The History of Newport (1886)
The South Wales Coal Trade and Its Allied Industries (1888)
The History of the Iron, Steel, Tinplate and Other Trades of Wales (1903)

In 1877, he was “initiated into the mysteries of the Druidic lore”, and at the 1881 National Eisteddfod, held in Merthyr Tydfil, he won a £21 prize (approximately equivalent to £2,100 in 2019) and gold medal for the best “History of the Literature of Monmouthshire and Glamorganshire from the earliest period to the present time.” In 1882 he founded ‘The Red Dragon: The National Magazine of Wales’. That same year, it was reported in the Western Mail (7 December 1882) that, “after careful examination of the various works written by Mr. Wilkins”, he was “unanimously elected to the super graduate Degree of Literature (Lit. D.)” by the Druidic University of America and its affiliate in Maine.

Charles Wilkins retired as postmaster at the end of 1897 after almost 50 years of service. He died at Springfield Villa on 2 August 1913 and was buried at Cefn Cemetery.

Although his history of Merthyr contain some inaccuracies; bearing in mind when it was written, and that a lot of it was based on oral history; it is a remarkable work, being the first of its kind to chronicle Merthyr’s history, and it is an invaluable resource to use as a starting point for further research.

You can download the 1867 version of Wilkins history of Merthyr here:

https://www.google.co.uk/books/edition/The_History_of_Merthyr_Tydfil/FWk1AQAAIAAJ?hl=en&gbpv=0

The 1908 revision is available here:

https://www.google.co.uk/books/edition/_/A_YRnQEACAAJ?hl=en&sa=X&ved=2ahUKEwiBkKbRz7OAAxXvX_EDHX-LDaAQre8FegQIAxAc

Dewi Bowen – A Tribute

by Mansell Richards

Earlier this year, on 16 June, Merthyr lost one of its great characters, and a huge champion of the town’s heritage, when Dewi Bowen passed away at the age of 93. Here his friend and former colleague, Mansell Richards pays tribute to the great man.

Dewi Bowen was a legend in his home village of Cefn-Coed, a legend at Cyfarthfa Castle School and a legend across the town of Merthyr Tydfil.

A naturally amusing man, he enjoyed making people laugh, whether passers-by in the street, his school pupils and their teachers – not forgetting headmasters – canteen ladies and caretakers, councillors and mayors. But he will be remembered mainly as a gifted artist and teacher. His imaginative artistic output was prodigious: his illustrations of scenes redolent of Merthyr and district’s rich and colourful history can be counted in their hundreds. It is no exaggeration to say that no individual over the decades contributed more to the heritage of this famous Welsh town.

Dewi was born on 7 August 1927 at number 87, High Street, Cefn-Coed-y-Cymmer (he loved to give his village its full title). From an early age he showed artistic talent which was nurtured at his beloved Vaynor and Penderyn Grammar School. In 1944 on leaving school at seventeen, he was directed to work as a coal miner for 2 years as part of the national war effort against Hitler’s Germany. This meant he had to postpone entry to art college. Dewi took pride in his years as a ‘Bevin boy’ at Elliot Colliery, New Tredegar and the Rock Colliery, Glynneath.

Indeed his memories of being a young miner never left him. Many of his detailed illustrations were based on his observations of those hard- working men who risked their lives daily in often dangerous conditions.

Similarly, he identified strongly with the soldier in both World Wars, but especially during the First World War. He never tired of telling of his father’s experience at Gallipoli and Mesopotamia, while his mother served as a nurse in both those wars. This strong affinity with the soldier never left him. Thus in later years, he joined a British Legion excursion to Flanders in order to be present at the unveiling of a sculptured red dragon monument at the site of the Battle of Mametz Wood, where thousands of Welshmen had been killed in 1916.

Dewi never refused work for charities. His cleverly designed, eye-catching posters, advertising fund-raising events appeared at local shops, pubs and libraries. Indeed, he and his scholarly brother Dr Elwyn Bowen MBE, to whom he was devoted, made a massive contribution toward necessary funding, estimated at tens of thousands of pounds, when the Urdd National Eisteddfod visited Merthyr in 1987.

The programme from Cyfarthfa High School’s 1982 production of Christmas Carol designed by Dewi Bowen

Dewi rejoiced also in designing the scenery for the Cefn-Coed Operatic Society which flourished during the 1950s and, contributed greatly in this respect to the annual stage musicals and concerts performed by pupils and staff of Cyfarthfa High School, a school he served loyally for 30 years.

Continuing along the cultural path, his work was regularly exhibited at the National Eisteddfod of Wales, while he contributed to many heritage projects across Merthyr and other districts of South Wales.

He took a particular interest in the preservation of the Joseph Parry Birthplace Project which won the Prince of Wales award. He played a pivotal role in this success for his school. The visitor to 4, Chapel Row, Georgetown will see a beautifully inscribed stone plaque alongside its front door. Not only did Dewi purchase the block of dressed-stone out of his own pocket, but he lovingly carved the inscription, including the evocative words, ‘Joseph Parry, y bachgen bach o Ferthyr, erioed, erioed- Joseph Parry, a little boy from Merthyr , forever, forever’. This carved tablet will remain a monument to the creative talent of Dewi Bowen.

His final contribution to the Merthyr cultural scene was to provide the superb illustrations for a book on Merthyr place-names, compiled by Malcolm Llewelyn. Dewi was delighted to be invited as a guest to the book’s launch last year.

But let us return to his never-to-be-forgotten humour, which appealed to people of all ages. At Cyfarthfa School, some pupils with only limited talent were known to have opted for art, mostly for the pleasure of being taught by him. Several brought him regular small gifts of sweets, while one girl, aware of his liking for wimberry tart, presented him with one every autumn. He was, undoubtedly, one of Cyfarthfa School’s most popular teachers.

One story he liked to tell concerned a friendship he had at Cardiff College of Art with the beautiful future actress Anna Kashfi, who was later to marry the Hollywood star, Marlon Brando. When teased about this, Dewi replied ‘I never understood how she preferred Brando to Bowen!’

Dewi never owned a car, preferring to walk almost everywhere. He particularly loved walking holidays during his earlier years. He visited the Holy Land and parts of Russia. When asked why he loved walking so much, he replied. ‘If you’ve spent 3 days in an ancient bus crossing the Negev Desert in the company of 2 Arabs and 50 sheep, you too, would enjoy walking’.

On another occasion he accompanied a friend to see a Wales/England rugby match at Twickenham. With Wales snatching victory towards the end, Dewi insisted on joining the triumphant Welsh supporters on the famous pitch. He astonished his friend by asking for help in order to ascend one of the very high rugby posts. After climbing unsteadily onto his friend’s shoulders, they were both confronted by a London policeman, who turned to the friend with the instruction ‘put the gentleman down please sir’. Some yards away a group of Cyfarthfa sixth-formers were holding their sides with laughter.

Dewi loved music, especially light opera. He was a regular visitor to Cardiff theatres to enjoy Gilbert and Sullivan productions. He loved singing some of the songs in his distinctive sweet tenor voice, often when talking to friends on the telephone. Dewi would entertain at the drop of a hat.

But his greatest love was his family. He nursed his mother who lived to be a hundred during her final years, while his admiration for his brother Elwyn was profound. He received considerable love and support from his exceptionally loyal nieces, Ann and Elizabeth and sister-in-law Gwynfa, while he gained much joy from his young great nephews, Ewan and Llyr.

There can be no better epitaph to Dewi than in Shakespeare’s words:-

‘We shall not live to see his like again’.

National Eisteddfod 1881

A poster for the 1881 National Eisteddfod in Merthyr. The poster has seen better days unfortunately, but is interesting nonetheless.

The 1901 National Eisteddfod in Merthyr

by Laura Bray

It was Tuesday 6 August 1901 – 120 years ago today. The weather was undecided, threatening rain but holding off. The town was looking festive, with banners and streamers hung across the High Street, coloured lights put up around the Castle Hotel door, hotels gaily festooned with paper flowers and even houses decorated to catch the eye. The train station was busy all day, carrying people to Merthyr from all over, and 18,000 people made their way to the magnificent Pavilion in Penydarren Park, for the opening of the 1901 Eisteddfod.

The planning for the Eisteddfod had begun in February 1899 when a sub-committee of the Cymmrodorion Society, who were meeting in a care-takers room in the Town Hall, were discussing the Dewi Sant banquet and it was suggested that the National Eisteddfod might be invited to Merthyr in 1901 or 1903. The idea caught on, was discussed by “The Great and the Good” of Merthyr society and by 14 June 1899 it had been unanimously agreed that an application would be made to the Gorsedd Committee for either 1901 or 1903. The invitation for the Eisteddfod to come to Merthyr was accepted for 1901 and fundraising commenced apace. Some members of the committee had been part of the 1881 Eisteddfod, the last time it had come to the town, others were new and all came to together to decide that the Penydarren Park site, used in 1881, would again be ideal for the 1901 event.

The Penydarren Park site was, in 1901 as in 1881, a large open field with plenty of room for the Pavilion and space for the crowds outside the barriers so that the streets did not become too busy at the entrances. A refreshment tent was set up, a fruit stall and adjacent to that, a Post Office. Everyone wanted to come and by the time the Eisteddfod opened before midday it was packed, and by the afternoon, there was standing room only. The band played and the mornings proceedings were chaired by the Lord Tredegar, and conducted by “Gurnos” (Gurnos Jones) and “Mabon” (Abraham Williams).

The event spanned the week and was a great success. On the final Saturday, the sun shone and the Archdruid conferred Druidic degrees on the Rev Dr Rowlands, America; the Rev David Owen, Llanfair Muallt; Miss Annie Rees M.D., New York; Miss S.M Lewis, Dr. Hughes, Dowlais and others. The next Eisteddfod, to be held in Bangor, was also proclaimed. Merthyr did itself proud with prizes – Miss Edith Matthews won £2 for the best paper on counterpoint and harmony in four parts; Tom Price won £3/3- for the best oboe solo; Harry Llewellyn won £3 for the cornet solo, and came second in the bass solo; The Merthyr Orchestral Society won the prize of £40. In the Arts and industries section, Zechariah Watkins from Dowlais won the prize for a set of six panels imitating marbles; J Westacott from Merthyr won the best painted and varnished door and David Thomas in Merthyr the prize for one white shawl.

“Dyfed” (Evan Rees from Aberdare ) was chaired as Bard, having already won five National Chairs, including that of the Chicago Eisteddfod. The Crown went to John Jenkins of Gwili

What was interesting about the Eisteddfod was the huge coverage it received from the Press – way beyond anything you would get today – and the distances people travelled to attend. Hotels in Merthyr were booked up well in advance and there are reports of visitors from as far afield as America. Ticket sales alone brought in £3343 10s 9d and subscriptions another £1100. The cost to the town of hosting it was calculated at £4200, which meant that there was a surplus of £843 10s 9d – around £106,000 in today’s money – no mean achievement. This was the last time the National Eisteddfod came to Merthyr (although the Urdd Eisteddfod came in 1987). Perhaps we are due another visit!

National Eisteddfod at Merthyr

From the Evening Express 116 years ago today….

Harry Evans – A Musical Giant

Harry Evans was born on 1 May 1873 in Russell Street, Dowlais, the son of John Evans (Eos Myrddin), a local choirmaster and his wife Sarah. Harry had no formal musical training, but was taught the Tonic Sol-fa system by his sister; such was his prodigious musical talent however, that he was appointed organist of Gwernllwyn Chapel in Dowlais when he was only 9 years old. The elders of the chapel encouraged the young Harry and arranged for him to receive music lessons from Edward Laurence, Merthyr Tydfil.

In 1887 he was appointed organist of Bethania Chapel, Dowlais. He succeeded in passing all the local examinations of the Royal Academy and of the Royal College of Music, London, with honours. He was by that time anxious to devote himself entirely to music, but his father, who wished him to receive a more general education, obtained a post as pupil-teacher for him at the Abermorlais School; here he passed some South Kensington examinations in arithmetic, science, and art.

Although he passed the Queen’s Scholarship examination (for pupil-teachers), his health broke down and he was unable to proceed to a training college. In July 1893 he became A.R.C.O. (Associate of the Royal College of Organists), and from then on gave all his time to music.

An advert for Harry Evans’ services from an 1895 edition of The Merthyr Times

In 1898 Harry Evans formed a ladies’ choir at Merthyr Tydfil and a male choir at Dowlais. The male choir won the prize at the National Eisteddfod held at Liverpool in 1900; and when the National Eisteddfod came to Merthyr the following year, he conducted the Merthyr Tydfil Choir in a performance of Handel’s Israel in Egypt. Following a further success at the National Eisteddfod in Llanelli in 1903, Evans retired from competition and accepted an invitation to become conductor of the Liverpool Welsh Choral Union.

In 1913 he became musical director at Bangor University College and, in the same year, local conductor and registrar of the Liverpool Philharmonic Society. He also became, at this time, conductor of the North Staffordshire Choral Society. By this time many experts regarded him as the best choral conductor in the country, and he was invited to conduct Granville Bantock’s choral symphony, Vanity of Vanities, which the composer dedicated to him.

As well as his work as a conductor, Harry Evans was a one of the most well respected adjudicators at musical competitions, and he was much in demand in that capacity at musical festivals throughout the British Isles. Also a composer, his fullest compositions were Victory of St Garmon, produced at the Cardiff Festival in 1904, and also the cantata Dafydd ap Gwilym ; he also wrote several anthems and hymn-tunes, and arranged Welsh folk-songs and airs for choirs.

During 1914 Harry Evans’ health began to deteriorate, and his doctor advised complete rest, but it was soon discovered that he was suffering from a brain tumour. He underwent emergency surgery from which he never fully recovered, and on 23 July 1914 Harry Evans died and the tragically young age of 41. He was buried at the Toxteth Park Cemetery in Liverpool. After his death, a hymn-tune named In Memoriam was composed by Caradog Roberts in his memory and included in several Welsh hymnals.

Throughout his life Harry Evans’ main ambition was to establish a music college in Wales; had he lived he might have realized his ambition – the Royal Welsh College of Music and Drama was established in 1949 as Cardiff College of Music at Cardiff Castle.

Merthyr’s Modest Maestro

Many thanks to Carl Llewellyn for the following article:

This a tribute to the first musical director of the Dowlais Male Choir – Mr D.T. Davies L.R.A.M., F.R.C.O. M.B.E.

dt-davies

Born on 28 June 1900 in Dowlais, where he lived all his life, David Thomas Davies, affectionately known to all as “D.T.”, devoted a lifetime to music, rendering a priceless and distinguished contribution to the cultural life not only in the local community but in Wales as a whole.

To give D.T. the credit he deserved he began as a gifted amateur — his musical qualifications were obtained by part time study. He began his working life in 1914 as a clerk in the Local Iron Works, then in 1925 became a local Government employee. It was only in his later years that he taught music as a subject in school from 1953 until his retirement in 1965.

By nature a retiring, and reserved personality who shunned, indeed detested the limelight, when he stood before his Choirs or sat at the keyboard, this quiet unassuming man was transformed into a colossus before whom one sat in awe and admiration. Had he been born later, in the Television and Record era, he would have received star billing, and his massive talent would have reached and impressed a wider audience than those of us who were privileged to sing for him or listen to him play. His record of achievements in the musical world speaks volumes for his versatility as well for his brilliant musicianship.

Qualifications

D.T. attained his L.R.A.M. (Licentiate of the Royal Academy of Music) in 1926 and his F.R.C.O. (Fellow of the Royal College of Organists) in 1934

Royal National Eisteddfod of Wales

Dowlais Ladies Choir – First Prize Treorchy 1928; First Prize Neath 1934 & First Prize Caernarfon 1935

Dowlais United Choir First Prize Fishguard 1936

Dowlais Male Choir First Prize Ruthin 1973

This achievement of three firsts in the three major choral competitions at the Royal National Eisteddfod of Wales is considered rare, probably unique in the history of the National Eisteddfod.

As well as conducting choirs at the National Eisteddfod, D.T. also adjudicated in the classes for mixed choirs, male choirs, and organ competitions and on one occasion was the official accompanist for the Eisteddfod.

Cymanfaoedd Ganu

Since 1924 D.T. had conducted over 150 singing festivals in all parts of Wales as well as in London, Birmingham, Liverpool and Bristol.

Accompanist

D.T. was one of the old Penywern (Dowlais) Male Choir accompanists during its existence.

Organist

D.T. was the organist and precentor at Soar-Ynysgau Welsh Congregational Chapel Merthyr Tydfil from 1928 until his death in 1983.

Honours

1968 D.T. Davies was awarded the M.B.E. for services to music in Wales

1974 D.T. became an honorary Freeman of the County Borough of Merthyr Tydfil in recognition of a lifetime virtually dedicated to music.

D.T. is remembered for his humility in his genius, kindly gentleness and quiet humour, acclaim was thrust upon him – never sought.

What is certain is that the choristers of the Cor Meibion Dowlais, who knew D.T., would echo the words of Mr. John Haydn Davies (Treorci) Doyen of Welsh Male Choir conductors, in speaking of D.T. after Dowlais’ win at the 1973 National Eisteddfod— “Y Twysog Ei Hunain” – “The Prince Himself”.

dowlais-united-choir-with-d-t-davies-in-bryn-sion-a — D.T. Davies with the Dowlais United Choir in Bryn Sion Chapel, Dowlais

To read more about Dowlais Male Voice Choir, follow the link below:

http://dowlaismalechoir.co.uk/