Old Drill Hall – The Melting Pot

Keeping up with the Joneses: A Family of Merthyr Artists – part 2

by Christopher Parry

Predictably, with the immediate family gone from the town many of the younger children ended up with distant relatives outside of Merthyr Tydfil.

Leonardo ended up as a Grocers Assistant at Holywell, in his father’s native Flintshire. He would then marry and become a Grocer in Birkenhead.

Francis Lawrence Jones all but disappears from the records. A letter held at Cyfarthfa Castle hints that he left for London and painted ‘for the great theatres in London.’ There is a correction on the letter however, indicating that an earlier sentence, referring to Angelo, was actually referring to Francis instead. This sentence states that Angelo went ‘to an uncle in Australia who was an engineer’. This narrative does not match up with other information on Angelo, so it is possible the author of the letter was referring to Francis. A 16-year-old Francis Lawrence Jones, from Merthyr Tydfil, did become part of the Royal Navy and sailed to Australia, eventually settling in New Zealand. While it is not certain, it is possible Francis left for naval service and never returned around 1880. Little is concrete with this family member though. Little is concrete about Rosa and Ernest too, as they all but disappear from records. Which leave the two eldest, Angelo and Raphael.

Raphael followed his father, and became an artist. He displayed work in shop windows throughout the town and became a well-regarded artist in his own right, creating and displaying work frequently around Merthyr Tydfil. An oil painting on display in a High Street shop window gained high praise in 1895, with newspapers stating it ‘reflects great credit on the young and talented artist.’ By 1900, Raphael would go for broke of sorts; he would leave Merthyr Tydfil and head to London to become a painter. He would spend the rest of his life in the Hackney are of London, creating illustrations for various magazines until his death in 1938. The museum at Cyfarthfa Castle holds a fantastic watercolour by Raphael called ‘Mountains and Lake’, painted in 1929. After suffering from ill health Isaac Wilkinson, a former curator at Cyfarthfa Castle, based at the National Museum of Wales, sold some paintings by Raphael to raise funds on his behalf. Cyfarthfa Castle purchased two watercolours in March 1937, one of them being ‘Mountains and Lake.’

William Angelo Jones clearly took a keen interest in his father’s work also. At the Merthyr Drill Hall Eisteddfod in 1875, he won first prize for free hand drawing. He attended the ‘Penydarren Art Classes, Merthyr Tydfil, from their inception, and studied under Mr J Bush, then under Mr G F Harris, artist and portrait painter, and assisted G F Harris for three winters.’ William Angelo would eventually leave Merthyr Tydfil to study art formally in Birmingham where he would also take up an art teacher position. It is unclear exactly when he left Merthyr Tydfil for Birmingham, as he possibly studied there from 1893, but was certainly living between there and Merthyr until at least the early 1900s, as several pieces of art were created by him of the area and in the town in that period. He would donate 12 pen and ink sketches to Cyfarthfa Castle in December 1937, the same year his brother’s artwork was purchased by the museum. These were all sketches intended to be printed as Christmas Cards. The images are full of floral patterns, art deco deigns, Santa Claus, trumpeting angels, turkeys and Christmas puddings, everything associated with the festive period.

Christmas Card – c 1896-97, William Jones, Courtesy of Cyfarthfa Castle Museum & Art Gallery

Christmas Card – c 1903 William Jones, Courtesy of Cyfarthfa Castle Museum & Art Gallery.

Christmas Card – c. unknown, William Jones, Courtesy of Cyfarthfa Castle Museum & Art Gallery

More amazing is how he worked local landscapes into the cards, giving us stunning images of Heolgerrig and other localities around Merthyr Tydfil. These images were created ‘under most difficult adverse circumstances…’ No doubt William Angelo was struggling financially and like many artists before special occasions were an opportunity to raise funds.

On the Graig, Merthyr – c 1901 William Jones, Courtesy of Cyfarthfa Castle Museum & Art Gallery.

Moody’s Pond, Merthyr – c 1901 William Jones, Courtesy of Cyfarthfa Castle Museum & Art Gallery.

When the artist Penry Williams was struggling, he would regularly rely on Valentine’s Day to make ends meet, when he would create cards for sale. Struggling circumstances were what possibly pushed William Angelo to move on from Merthyr Tydfil fully and it is likely he died in Birmingham in 1938.

We often focus on the large-scale industrialists when looking into Merthyr’s past and overlook the many trades and professions the iron industry attracted to the town. Several painters opened studios in the town over the years, without whom, in an era where photography was in its infancy, we would have no visual record of the people and places that make up Merthyr Tydfil.

How well do you know Merthyr? The answers

Here are the answers to the questions I posed you last week. How did you do?

What was the name of St Tydfil’s father?

King Brychan Brycheiniog

Who founded the Cyfarthfa Ironworks in 1765?

Anthony Bacon

Who was Merthyr’s first Labour M.P.?

James Keir Hardie

What was the name of the first chapel to be built in Merthyr town?

Ynysgau Chapel

What was the name of the pub that Lord Nelson stayed in when he visited Merthyr in 1800?

The Star Inn in Caedraw

Nixonville in Merthyr Vale is named after whom?

John Nixon, the founder of Merthyr Vale Colliery

Who has ‘God Forgive Me’ inscribed on his grave?

Robert Thompson Crawshay

Where was the Olympia Skating Rink?

In Pontmorlais, just further up than the Theatre Royal

Which Merthyr-born boxer won the WBC World featherweight title in 1968?

Howard Winstone

Where would you find St Matthias Church?

Treharris

The Bwthyn Bach Inn is missing from the Old Merthyr Tydfil list of pubs, where was it situated?

At the corner of what was known as the Broad Pavement, opposite was the name given to a street built behind the Palace Cinema.

Where was Tai Harri Blawd?

Behind the Theatre Royal and bordering the old Tramroad

What is the area known as Daniel’s Waterloo?

The area now known as the Grove

Where was the Merthyr Tydfil clay pipe factory?

In Vaughan Street, Caedraw

What did the factory next to Factory Cottages make?

Factory Cottages were alongside the old Drill Hall and given this name as they adjoined a flannel factory.

How did Storey Arms get its name?

The first landlord there was a Mr Storey

Where was Pendwranfach?

A narrow street by the Fountain …… turn left at the bottom of the High Street

What is the real name of the pub often called The Spite?

The Farmer’s Arms, Mountain Hare

Who was Miss Florence Smithson and what building is she associated with?

A famous actress associated with the Theatre Royal

Why was an area by St Tydfil’s Church named Lle Sais?

Its name is derived from the fact that most of the English people brought in to the area to work in the Penydarren Ironworks lived here

Merthyr’s Boxers: Tosh Powell

Thomas Morgan ‘Tosh’ Powell was born in Mountain Hare in 1908. His father, Richard, a collier moved to the Cynon Valley to work when Tosh was still a child, with the family settling in Llwydcoed.

Although there is no record of when “Tosh” Powell first started fighting, he was an amateur fighter over a year before he turned professional, with a recorded fight at the Drill Hall in Merthyr in April 1926. Powell’s first recorded professional fight was against Trealaw’s Nobby Baker, at Merthyr Tydfil on 30 April 1927. Baker was the more experienced professional with seven undefeated contests to his name. The fight went the full fifteen rounds, with Baker winning by points decision. Despite his lack of professional fights, Powell’s next opponent was against Johnny Edmunds, the holder of the Welsh bantamweight title. The fight took place at Snow’s Pavilion in Merthyr on 9 July 1927 and was scheduled for twenty rounds. Edmunds, with 48 fights was vastly more experienced, but Powell stopped him via technical knockout in the tenth round, taking the Welsh title.

Two months after the contest with Edmunds, Powell was given a re-match against Nobby Baker, which was also recognised as a title defence for Powell’s bantamweight belt. Baker had been the busier of the two boxers in the four months between their meetings, contesting six matches to Powell’s single fight against Edmunds; though Baker’s last two bouts had seen him face defeat for the first time in his career. The fifteen round match, held in Pontypridd, ended after just seven rounds when Powell stopped Baker in the seventh round on a technical knockout. This contest is regarded as a successful title defence.

Nearly five months later Powell faced Tom Samuels, a novice professional from Treharris. The match lasted only seven rounds when Samuels was disqualified. Although this is recorded as Samuels’s only professional fight, this was regarded as a challenge for the Welsh bantamweight championship, and thus a second successful title defence for Powell. On 1 March 1928, Powell fought his first contest outside Wales when he travelled to Liverpool to fight local boxer Lew Sullivan. Sullivan, who had 25 professional matches behind him, had only been stopped once in his career, in the fifteenth round of an encounter with Kid Rich. Powell made it a short contest by knocking Sullivan out in the first round. This would be Powell’s only clean knockout in his professional career.

Powell was invited back to Liverpool two months later, with a fight arranged against Dutch featherweight Rein Kokke. The fifteen round match only lasted three rounds when Kokke was stopped through a technical knockout. Powell had now fought in six professional fights with five wins and just one defeat. Six days after his fight with Kokke, Powell was back in the ring, a hometown match in Aberdare, in his third encounter with Nobby Baker. This time the fight was not considered a title defence, which was fortunate for Powell who was stopped for the second time in his career, and the second time to Baker who again beat him on a points decision after the contest went the distance.

Powell’s final fight would take him to Liverpool for the third time in his professional career, when he was arranged to fight with London bantamweight Billy Housego. Housego was slightly more experienced with twelve pro fights, but his record was poorer with only five wins, and of those, four were won by points. Boxrec states that the fight took part on 31 May 1928, though other sources agree on the following day, Friday 1 June. The fight at The Stadium, was scheduled for fifteen three-minute rounds, and in a close contest the fight reached the last round. With only a minute of the fight remaining Housego knocked Powell to the canvas. Powell recovered to his feet on the count of seven, but after returning in a daze to his corner he collapsed. The referee, Mr Gamble, stopped the contest with the match awarded to Housego on a technical knockout. Powell was carried to the dressing rooms, where the doctor on attendance recommended that he be taken to the Liverpool Royal Infirmary. His death, which occurred on Saturday 2 June at 5:50pm, was attributed to a haemorrhage of the brain, he was 20 years old.

At the inquest, Powell’s father Richard, testified that his son had not been training before the encounter with Housego, and that he had tried to cancel the fight. Richard Powell stated that the Liverpool promoter, Albert Taylor, had threatened that he would have his son’s license suspended if he pulled out of the fight. Taylor denied these claims. The doctor who performed the autopsy testified that the rupture ‘might happen to anybody’, the charges were dropped but the promoter was censured.

Tosh Powell was buried in the town of his birth, at Pant Cemetery. Thousands lined the route of the funeral to pay tribute to the young boxing star. Among the floral tributes was a wreath in the shape of a torn harp. It came from Billy Housego.

I have had several requests for more articles about boxers, and one specific request for Tosh Powell – hence this article. As I am not an expert on the subject, however, most of the text in this article is transcribed, with permission, from https://en.wikipedia.org/wiki/Tosh_Powell. I try not to use Wikipedia articles verbatim, but this is an exception. Please forgive any mistakes.

If anyone would like to contribute any articles about the excellent boxing tradition in Merthyr – please get in touch…I am sure there are people much better qualified than me to write about Merthyr’s boxers.

Another Night at the Theatre

110 years ago today (24 November 1909)

The Temperance Hall

Most of us have passed, or even visited the Temperance Hall (or the Scala to those of you who were born after the 1960’s), but how many of you realise that it was in fact Merthyr’s first purposely built public meeting place?

The Temperance Hall was built by the Merthyr Temperance Society as somewhere to provide “instruction and amusement for the masses of the people”. The Temperance Movement began in the 1830’s. At first temperance usually involved a promise not to drink spirits and members continued to consume wine and beer. However, by the 1840s temperance societies began advocating teetotalism. This was a much stronger position as it not only included a pledge to abstain from all alcohol for life but also a promise not to provide it to others.

The Temperance Hall was opened in September 1852 by Henry Bruce, the M.P. for Merthyr. The original building measured approximately 80 foot by 40 foot, with a 12 foot wide platform, with a capacity of between 100 – 150 people.

In 1873, the Hall underwent major enlargement, was said to hold up to 4,000 people. For the next 20 years the Hall was the main theatre in Merthyr, mostly seeing off competition that came and went, from the Drill Hall, the short-lived Park Theatre and the many visiting portable theatres. Performances at the Temperance Hall ranged from musicals like “Les Cloches de Corneville” and the marionette spectacular “Bluebeard”, to performances of plays by Shakespeare and other leading dramatists.

As well these, the Hall was also used to host lectures and also religious and political meetings. One of the most famous of these was the meeting held in 1872 by Rose Mary Crawshay, one of the leaders of the Women’s Suffrage Movement in the late 1800’s, which led to a petition for Women’s Suffrage being sent to Westminster.

A picture entitled “Emigration Agent Lecturing at the Temperance Hall” that appeared in The Illustrated London News 6 March 1875

In 1885 the management was controlled by a group of four brothers: Charles, Joseph, George and Harry Poole who continued with the mixed policy, and encouraged local amateur groups to use the premises as their regular base. By the turn of the century, however, the Temperance Hall was gradually becoming a music-hall and variety theatre, with the touring productions of musicals and straight plays tending to go to the Theatre Royal.

By 1914, the Temperance Hall was listed in the Kinematograph Year Book, so it was clearly an early cinema conversion. The manager of the theatre by now was Mr Israel Price, who would become a legendary theatre manager of the South Wales area. From the outbreak of the War until the start of the “talkies” Israel Price provided variety performances and reviews as well as silent films. In 1927 he was able to advertise that the Temperance Hall was “now the only live theatre in the town”.

A group of performers outside the Temperance Hall in the early 1900s. Photo courtesy of http://www.alangeorge.co.uk/index.htm

The Temperance Hall was renovated and re-seated in 1930 and re-opened in August of that year, promoting itself as “Now one of the most comfortable theatres in the provinces”.

In 1939, Israel Price’s son (also called Israel) took over the running of the Temperance Hall, and he also eventually took over the management of the Theatre Royal. The Hall seems to have been used almost exclusively as a cinema during the Second World War, but in the post-war years it resumed live theatre, and in 1948 ran a forty-week repertory season under the direction of Barney Lando.

An advert for the Temperance Hall from the Merthyr Express 5 June 1937

By the 1953 edition of the Kinematograph Year Book the proprietors were listed as Messrs Price and Williams, and there were 624 seats, and by 1980 the Theatre had ceased presenting live shows and was used exclusively as a cinema having been renamed the Scala Cinema. It was owned by Dene Cinema Enterprises Ltd. and had 480 seats.

The cinema closed in the early 1980’s and in 1985 the building was converted into a bar and snooker club.

Keir Hardie: Leader of the Labour Party – part 3

by Carolyn Jacob

In January 1971 John Williams remembered James Keir Hardie in a Merthyr Express article called ‘The cloth-capped charismat’. There were only a few local people left who had seen James Keir Hardie in person. John recalled him as being of medium stature with white hair and beard. What made him stand out was that he walked firmly and always held his head. He looked dignified and serene. He was usually dressed in a tweed suit and soft collar. When he was but a small boy, John Williams remembered seeing him walking down Wind Street, Dowlais.

Famous people came to Merthyr Tydfil to support Keir Hardie’s election campaigns in 1906 and 1910. George Bernard Shaw was the principal speaker at Keir Hardie’s meeting in the Drill Hall. He was reported to have said: ‘If he met a working man who was not going to vote for Keir Hardie he would not talk to him, but he would put him in a museum as a curiosity.’

Merthyr Express, 8 January, 1910.

In 1912 the Independent Labour Party had their annual conference in Merthyr Tydfil, and the Suffragettes also had their important meeting here.

‘It is greed, cruelty, selfishness and the exploitation of man by man which a world-wide Socialist movement must unite to end’.
Keir Hardie in the Merthyr Miners’ Hall, 1908, following a recent trip to India.

He was committed to international socialism and toured the world arguing for equality. Speeches he made in favour of self-rule in India and equal rights for non-whites in South Africa resulted in riots and he was attacked in newspapers as a troublemaker. After his visit to India he spoke about the exploitation of women and child labour and the huge profits which are made on the back of their labour. He pleaded for the workers to rally against injustice and oppression the world over.

He later found injustice closer at home, the Dowlais Works strike of 1911, and he used it to emphasise the need for class unity in face of the industrial unrest sweeping Britain. Dowlais was notorious for its anti-unionism and shocking work conditions. Keir Hardie saw to it that Dowlais got no government contracts until the strikers were reinstated but the moulders were not taken back. He seized the opportunity provided by the Royal Visit to Dowlais in 1912 to write an Open Letter to the King and ensure that the moulders were reinstated in their employment. Nothing could be allowed to upset a Royal Visit.

‘The barber’s shop in which I worked was down by the Fountain, where Keir Hardie made some of his best speeches …… When I was thirteen or fourteen I joined the Independent Labour Party and Hardie became the first Socialist candidate, and I remember that he used to share the constituency of Aberdare and Merthyr with D.A. Thomas, who later became Lord Rhondda’.

Arthur L. Horner, Merthyr as I Knew it

21 years ago:- ‘It was tenaciously upheld by the public authorities, here and elsewhere, that it was an offence against laws of nature and ruinous to the State for public authorities to provide food for starving children, or independent aid for the aged poor. Even safety regulations in mines and factories were taboo. They interfered with the ‘freedom of the individual’. As for such proposals as an eight-hour day, a minimum wage, the right to work, and municipal houses, any serious mention of such classed a man as a fool’.

Keir Hardie’s , ‘Sunshine of Socialism Speech’ , 11 April 1914

He campaigned for such extreme and radical issues as home rule for Wales, old age pensions, votes for women, the nationalism of basic industries and the abolition of the House of Lords. The Merthyr Express of August 1907 reported that Keir Hardie had gone to America for his health. During a lecture he delivered on Socialism in Winnipeg, not only did someone run off with his hat but his vest and tobacco pouch also disappeared!

Although he shone on the public platform, it has been said that he was no politician as compromise was not in his nature. He preached that poverty was not inevitable but sprang from man-made conditions. Hardie declared that what was bad in the social system was not to be endured but abolished. However, he did enjoy some entertaining moments in Merthyr Tydfil. His 1910 election success was celebrated by a dance and reception at Cyfarthfa Castle at which he sang.

‘The man and his gospel were indivisible”. His simple heroism made our party and our world’.

Bruce Glasier

To be continued….

Merthyr’s Chapels: Wesley Chapel

The next chapel in our series is Wesley Chapel in Pontmorlais.

In 1790 Samuel Homfray, owner of the Penydarren Ironworks introduced a new process for making iron and needed to send to Yorkshire and Staffordshire for men to help carry out this new process.

The new workers were followers of John Wesley’s doctrines, and so started their own cause, meeting at their cottages near St Tydfil’s Church.

As the cause increased a larger meeting place had to be found and the ever-growing congregation started meeting in the Long Room of the Star Inn.

Again the congregation increased and it was decided to build a chapel. A piece of land was acquired beside the Morlais Brook near the small wooden bridge that carried the then small road from Merthyr to Penydarren and Dowlais.

Money was collected and the foundation stone was laid in 1796. Thomas Guest, son of John Guest the founder of the Dowlais Iron Works, who was an ardent Wesleyan and also a preacher, contributed £50 towards the building fund, and indeed preached at the chapel when it was completed. The chapel was completed in 1797 at a cost of £602.13s.7d. This was the first English chapel in Merthyr.

The congregation continued to grow and in 1860 it was decided that a new chapel should be built. The builders were Messrs Morgan & Edwards of Aberdare. There was a disagreement between the minister, Rev Josiah Matthews and the congregation about the size of the chapel, so after the site for the new chapel had been marked out with stakes, Rev Matthews waited until that night, went out to the site and moved the stakes to make the chapel larger. This subterfuge was not discovered, and it was not until the chapel was finished did Rev Matthews reveal what he had done. The chapel was completed in 1863 at a cost of £880 and was officially opened on 15 January 1863. Incorporated into the building was a house on the north side of the chapel which was intended to be used as a manse for the minister, but it was never used as such and was instead let to private tenants.

In 1871 the trustees of the chapel decided to have a new pipe organ so set up a fund called the “Debt and Organ Fund” to raise enough money to purchase an organ and pay off the remaining debt on the chapel. By 1873 enough money had been raised for the new organ and it was installed at a cost of £192.10s.0d.

In 1913, it was decided to build a new and very grand Central Wesleyan Mission Hall on Pontmorlais Road West across the Morlais Brook from the chapel, on the site of the Old Drill Hall. It would have been connected to the chapel by an arcade. Plans were actually drawn up for the Mission, but before building began the First World War broke out. Due to the subsequent upheaval, the plans were shelved and the Hall was never built.

The chapel closed on 30 December 1979 due to prohibitive costs for necessary repairs to the chapel, and the congregation moved to Dowlais Wesleyan Chapel. The building has been since used as a furniture shop, and an arts and crafts centre.