Merthyr Memories: Penydarren Park – part 1

by Allan ‘Salty’ Jones

It was as a seven-year-old boy in 1951 that I first made my way to Penydarren Park to see the Martyrs. Together with my younger brother Grenville and my father, we would either walk the short distance from Penydarren or catch the bus to the Theatre Royal. We would then join the large crowd on the Promenade and gain entry to the ground at the Theatre end.

Sometimes, manning one of the turnstiles would be my uncle, John Rees (right). John, a remarkable man, was also the club’s groundsman. He did his job despite having two artificial legs from just below the knee. Penydarren Park at this time was a very heavy venue and I can picture, even now, my uncle forking the ground to remove the excess water and his artificial legs would be sinking into the mud. To have an uncle who was in the inner sanctum of the Club used to make me feel very proud.

We used to watch the games from the Theatre end, sitting on the wooden fencing behind the goal. My father used to go a little way back into the crowd. The atmosphere was terrific, which was particularly caused by the great success the club had achieved during the late ‘40s and its continued success. I cannot remember seeing the great Bill Hullett play, but the side I can still picture vividly is:- Sellick, Avery, Phillips, Lloyd, Lowe and Richards, Davies, Squires, Reynolds, Jarman, Powell.

Merthyr Town A.F.C. 1952. Photo courtesy of David Watkins

We were always playing football in the streets as there were not many cars around. On home days, Stan Davies the right wing of the above team, used to walk through the street carrying his boots in a small bag, on his way to Penydarren Park. One of our heroes walking through my street! Not long after, another of Merthyr’s famous football sons used to walk through my street to play for the Town. Ronnie Skyrme used to live in the next street, Church Street, and it was always a thrill to see him walking to a game. Ronnie was later transferred to Tonbridge.

On returning home from the match, we would again go out to play football. Some of the players would have a distinctive way of wearing their kit, and in our own innocent way we would try to copy them. We would give ourselves their names and shout for example, “Good shot Dego” (Trevor Reynolds’ nickname) or “Well saved Bert”, for Bert Sellick and “What a goal Shenkin”.

I could go on for quite a while reminiscing about this team but suffice it to say that who can forget the silky skills of Squires, Jarman and Dai Lloyd; the thunderous shot of Shenkin Powell and the sliding tackles of Ralph Avery. Two reserve players also come to mind from this era: Des Jackson, who I believe came from Glynneath, a village in which my father worked for 50 years in the coal mine. The other was Andy Mulgrew, a little Irish winger, and the much bigger Trevor Reynolds used to look after him like a father.

There were some great derby games at that time, for example Hereford United, and I can remember the big Aberfan born and Welsh Amateur international Gwyn Groves playing so well for them in goal. Another famous Merthyr man appeared in the Hereford team at this time – Cyril Beech. Cyril later went on to become a very successful scout, and amongst his discoveries were John Hartson and Mark Pembridge. Gloucester City, Worcester City and Bath City were always hard-fought games, and I can remember on one occasion the great Charlie Fleming turning out for Bath City. What games!

And what about the Welsh teams? Lovells Athletic with Ray Cross in goal and George Lowrie at centre forward; Barry Town and Llanelly were always keenly contested games, and ones which I like to think were never lost.

To be continued…..

“Dorothy”

by Laura Bray

They say the past is a different country and many of us bemoan the seeming madness of some of the Health and Safety restrictions we live under, but in a less regulated age, we can occasionally wander and wonder.

Such an example would be the Opera “Dorothy” performed 100 years ago today (27th October 1923) at the Theatre Royal by the Merthyr Amateur Operatic Society – and oh that Merthyr could field such a society today!

Anyway, “Dorothy” is a comic opera is three acts with music by Alfred Cellier and a libretto by B.C. Stephenson. The basic story involves a rather dissolute man who falls in love with his disguised fiancée and it became very popular amongst audiences, opening in London in 1886 and running for 931 performances, making it, at the time, the longest-running musical theatre production in history. It toured in Britain, America and Australia and enjoyed numerous revivals until at least 1908 and so it is easy to see why it was popular with amateur theatre groups. Indeed “The Times” described it, in 1908, as “one of the most tuneful, most charming, and most shapely of English comic operas”.

The Merthyr Amateur Operatic Society clearly did a splendid job of performing it. The review in the Merthyr Express announced that the scenery was “amongst the finest ever seen on the local theatre stage”, the costumes were “almost perfect”, the makeup “really good”, and, as for the singing, it was “magnificent”, reflecting the great choral tradition of the town.  In fact, there was no part of the cast and crew not mentioned in his praise, from the performers, to the orchestra, the producer and musical director, and the officials of the society.

But notwithstanding that names sold papers, the Express also reports that the opera played to packed houses each night; that on the Saturday evening, hundreds were turned away; and that an additional matinee performance was added and tickets given to over 100 “inmates from the workhouse”. So, perhaps in this case the praise was well deserved.

The highlight of the opera was clearly Act 2, described as a “masterpiece”, greeted with “thunderous applause”, as the audience prepared for a scene depicting the a hunt and the meeting of the hounds. Not for the Merthyr Amateur Operatic Society puppets, cut-outs or toys. Oh no! They had the foxhounds from the Gelligaer and Talybont Hunt, loaned to them by the Master of the Hunt (who was Seymour Berry’s daughter) Miss Eileen Berry. Imagine now, trying to put on an opera, to packed houses, with the local foxhounds on stage! Health and Safety would have a field day!

The photo in the paper (of poor quality now, but below) shows about a half dozen hounds, looking remarkably relaxed, on the stage with the cast.

The interesting thing about all this is that it does not seem unusual to have working dogs on stage.  The Bwllfa Hounds from Aberdare appeared in a theatrical production in the Gwyn Hall in Neath at about the same time. It was truly a different time.

I wonder what the dogs themselves thought of the “thunderous applause” and their nightly performance in Act 2!  And I wonder how many were not beautifully behaved on stage…..

Entertainment in Merthyr

Youngsters today might be surprised that there was a time, not a million years ago, when Merthyr was a hub of all kinds of entertainment: several cinemas showing a variety of films, plays being performed by both professional and amateur companies at several venues – not to mention live music at several ‘night spots’.

Below is just an example of what was regularly on in Merthyr – all of these adverts appeared in a single issue of the Merthyr Express 70 years ago today, 21 February 1953…

The above is just a small example of what was going on in Merthyr – there was something new happening every week somewhere up and down the borough. How times have changed.

Do you have any memories of going to any of these places? If so, please share any memories with us.

A Great Night Out

Below is an example of some the varied entertainment that was available in Merthyr in years gone by. All of these adverts appeared in the Merthyr Express 70 years ago today.

How time have changed.

Merthyr Express – 5 July 1952